Working at the top of his form, DeLillo draws on his previous novels (Mao II, 1991, Libra, 1988, etc.) in shaping his most ambitious work yet, a grand Whitmanesque epic of postwar American life—a brainy, streetwise, and lyrical underground history of our times, full of menace and miracles, and humming with the bop and crackle of postmodern life.
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