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BROWSE BOOK REVIEWS




Gore Vidal, 1925-2012


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Cover art for THE COLLECTED ESSAYS OF GORE VIDAL
NONFICTION
Released: June 17, 2008
by Gore Vidal, edited by Jay Parini

"Nearly six decades' worth of eloquent bile, dispensed with unmatched craft and wit."
A splendid, savvy distillation of the best from the veteran novelist and essayist. Read full book review >
Cover art for POINT TO POINT NAVIGATION
NONFICTION
Released: Nov. 7, 2006

"Though Vidal's memories from encounters in DC, New York, Hollywood and elsewhere remain intact, the wit that animates the best of his oeuvre is largely absent, leaving a voice at best affecting and at worst hectoring."
In this successor to the first volume of his memoir, Palimpsest (1995), prolific novelist/essayist/gadfly Vidal mixes mournful minor keys among his usual trumpet blasts against what he regards as an American emporium run by oil men and religious fanatics. Read full book review >
Cover art for CLOUDS AND ECLIPSES
FICTION
Released: Sept. 19, 2006

"While occasionally truncated, these stories showcase Vidal's stylistic authority."
Eight elegantly styled but listless stories of gay life from the late 1940s to the mid-'50s. Read full book review >
Cover art for IMPERIAL AMERICA
NONFICTION
Released: June 1, 2004

"Vitriolic, bilious, venomous, and a lot of fun. Until, that is, you realize Vidal's not kidding."
America's favorite contrarian waxes wroth and righteous blustery in this gathering of new and recycled aperçus concerning elections past and present. Read full book review >
Cover art for DREAMING WAR
NONFICTION
Released: March 1, 2003

"A pleasure for those convinced of the present ruling elite's deep-seated flaws and deeper evils, and tasty food for thought even for the doubtful."
Another deliciously ill-tempered screed from veteran gadfly Vidal (Perpetual War for Perpetual Peace, p. 398, etc.), perhaps our fiercest homegrown critic of American imperialism in general and the current administration in particular. Read full book review >
Cover art for THE LAST EMPIRE
NONFICTION
Released: June 5, 2001

"Vidal's gossip can feel as stale as his (very dated) political concerns, but few today have what he still displays in abundance: the desire, the intelligence, and the wit to continue living as a true man of letters."
More political and literary essays from Vidal (The Golden Age, 2000, etc.). Read full book review >
Cover art for PERPETUAL WAR FOR PERPETUAL PEACE
NONFICTION
Released: May 1, 2001

"Challenging as ever, Vidal quotes Justice Brandeis: "If the government becomes the lawbreaker, it breeds contempt for laws; it invites every man to become a law unto himself.""
In a piquant collection (originally published in Italy), Vidal (The Last Empire, 2001, etc.) asks readers to consider the forces that motivated Timothy McVeigh and Osama bin Laden--and perhaps it wouldn't hurt to heed the beating the Bill of Rights has been taking recently. Read full book review >
Cover art for THE GOLDEN AGE
FICTION
Released: Sept. 19, 2000

"A beguiling conclusion to an invaluable extended work. If Vidal's novels were used as texts, we'd all be American History majors."
Though its narrative temperature remains dangerously low, entertainment value is dependably high in this seventh and last of Vidal's delectable Novels of Empire. Read full book review >
Cover art for THE ESSENTIAL GORE VIDAL
FICTION
Released: Feb. 8, 1999

"Essential work, indeed, and a good deal more fun to read than the work of many other highly esteemed writers who take themselves much more seriously."
It must seem no less galling than appropriate to Norman Mailer that not even a year after the appearance of his own bulky retrospective volume (The Time of Our Time) there arrives this bracing sampler of his formidable old enemy's variegated prose wares: on display—in judiciously mixed proportions—are the complete texts of Vidal's once notorious novel Myra Breckenridge (a then-timely jeu to which the years haven't been kind) and his outrageously savvy JFK-inspired play (The Best Man); choice excerpts from the loosely related fictional revisions of American history that began with Burr and extend (thus far) to Washington, D.C., and middling ones from other novels varying in quality from apprentice-like (The City and the Pillar) to dizzyingly inventive (Duluth) and urbane (Julian). Read full book review >
Cover art for THE AMERICAN PRESIDENCY
NONFICTION
Released: Dec. 1, 1998

"This is one of those times."
If Vidal (The Smithsonian Institution, 1998, etc.) isn't the last wild man remaining in the American literary left, then it's hard to say who is. Read full book review >
Cover art for THE SMITHSONIAN INSTITUTION
FICTION
Released: March 9, 1998

"Even Norman Mailer will like this novel."
 Another merry riff on Washington power politics, struggles, and failures from the venerable curmudgeon and sage: an appealingly unholy marriage of Burr, Duluth, and a suavely Vidalian amalgam of Tom Sawyer and Tom Swift. Read full book review >