Reprising the vibrancy of their Coretta Scott King Illustrator Award winner, I See the Rhythm (1998), Wood and Igus celebrate African-American gospel music along its historical transit from the Middle Passage to 21st-century "Holy Hip Hop."
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A distinguished trio combine for a fresh, accessible and wonderfully appealing reimagining of a classic 19th-century "program music" favorite ("program music" being music specifically created to describe or depict a visual image): Camille Saint-Saëns's evocative 1886 favorite.
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Nelson brings her signature poetic treatment of history to this outstanding collaboration with illustrator Pinkney about a racially integrated "all-girl swing band" that toured the United States during World War II.
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"I toted my songs / like a satchel and felt most / at home when I sang," says Billie Holiday in this gorgeously produced fictional "life in poems" of the great jazz singer.
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