Kirkus Star
THE KIRKUS STAR
Awarded to Books of Exceptional Merit

BROWSE BOOK REVIEWS




Ray Bradbury, 1920-2012


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Cover art for THE ILLUSTRATED MAN
FICTION
Released: Feb. 23, 1950

"A book which is not limited by its special field."
Scientific fiction enclosed in a frame — wanderer meets a tattooed man whose images foretell the future, leaving a space to preview the destiny of the viewer. Read full book review >
Cover art for THE MARTIAN CHRONICLES
FICTION
Released: May 4, 1950

"None of the complexities of concepts or formulae, this has an imaginative rather than technical ingenuity."
A flight of fancy in time and space which transcribes some incidents which take place on the planet of Mars, there's a literary, visionary quality here and an avoidance of the more mechanistic aspects of this medium. Read full book review >
Cover art for THE GOLDEN APPLES OF THE SUN
FICTION
Released: March 19, 1953

"A very pleasant variety show."
A double dozen from a recognized science-fiction writer, these stories range further in subject than his expected field, so that this is not necessarily confined to bug-eyed monster devotees. Read full book review >
Cover art for THE OCTOBER COUNTRY
FICTION
Released: Oct. 31, 1955
by Ray Bradbury, illustrated by Joseph Mugnaini

"The chilling imaginative virtuosity, the malignant momentum of terror, the occasional tenderness give these short stories a real superiority."
..... casts a somber spell, death is a familiar figure, and fancied fears assume a devastating reality. Read full book review >
Cover art for A MEDICINE FOR MELANCHOLY AND OTHER STORIES
FICTION
Released: Jan. 1, 1959

"The title is apt — the variety here is spice."
Science fiction and space give way here to the imaginative, fantastic and the inexplicable, in 22 stories that make up a swift kaleidoscope of patterns. Read full book review >
Cover art for SOMETHING WICKED THIS WAY COMES
FICTION
Released: June 15, 1962

"Definitely for all admirers."
A somewhat fragmentary nocturnal shadows Jim Nightshade and his friend Will Halloway, born just before and just after midnight on the 31st of October, as they walk the thin line between real and imaginary worlds. Read full book review >
Cover art for R IS FOR ROCKET
FICTION
Released: Oct. 19, 1962

"The Long Rain, The Time Machine, Frost and Fire are a few more of these exotic stories which act as a beacon light in the field of science fiction."
A mansized capsule of the best of Bradbury- gleaned from magazines and books- and dedicated to "starry" eyed young men with time to dream of crossing the line between truth and fiction. Read full book review >
Cover art for THE MACHINERIES OF JOY
FICTION
Released: Feb. 17, 1963

"Bradbury, in perfect orbit."
Whether the author's vision turns toward the future or peers into the past, his worlds of characters and their situations always carry the air of possibility. Read full book review >
Cover art for I SING THE BODY ELECTRIC!
FICTION
Released: Oct. 21, 1969

"Rice Crispies."
Eighteen stories, Bradbury's first collection in five years. Read full book review >
Cover art for THE HALLOWEEN TREE
CHILDREN'S
Released: Sept. 1, 1972
by Ray Bradbury, illustrated by Joseph Mugnaini

"Still Bradbury-Moundshroud is a spectacular guide to the nether regions and this may well be (as Tom Skelton called it) "both a trick and a treat" for other boys who are willing to plunge right in and let the devil take the doubters."
The lyric and expansive nostalgia for boyhood of Dandelion Wine, the extravagantly conjured atmosphere of Leon Garfield (but without his chilling intensity), the sometimes gratuitous fright-inciters (rattling bones and shuddering house) of the conventional Halloween story — all seem to temper the unabashed didacticism of the mysterious Mr. Moundshroud, who takes eight spookily costumed boys on a kite-and-broomstick timetrip in search of their friend Pippin and the meaning of Halloween. Read full book review >
Cover art for MARS AND THE MIND OF MAN
NONFICTION
Released: July 18, 1973

"Fifty Mars photos will be an important feature."
An engaging, sporadically informative scan of Mars with coordinates locked in on the 1971-72 voyage of Mariner 9, by an ebullient panel consisting of an optimistic Bradbury, a cautious Clarke and their opposite academic numbers, Carl Sagan (Cornell) and Bruce Murray (Cal Tech) plus New York Times Science Editor Walter Sullivan as interlocutor before a California audience. Read full book review >
Cover art for DANDELION WINE
FICTION
Released: March 26, 1975

"The poignant quality of Bradbury's writing, the evocative elements that will capture others than his usual audience, combine to make this an unusual reading experience."
The impossibility of pigeon-holding Ray Bradbury as a science fiction writer is once again emphasized in this charming philosophical study of adolescence. Read full book review >
Cover art for LONG AFTER MIDNIGHT
FICTION
Released: Sept. 30, 1976

"But it is from the same materials that he draws the more frequent moments which make you think of clean woods after thunderstorms—or a soul-destroying city summer and squandered happiness."
After seven very long years, a new and generous (twenty-two stories) Bradbury collection. Read full book review >
Cover art for DINOSAUR TALES
FICTION
Released: June 1, 1983

"With foreword and introduction and lots of pictures (less than half of this 144-page booklet is text): a boutique serving for only the least serious or the dinosaur-happy of Bradbury fans."
Bradbury, enchanted by dinosaurs since childhood, has packaged "all of his dinosaur stories": three much-anthologized old yarns, that is, plus three new items (a story and two short poems), together with illustrations by William Stout, Steranko, Kenneth Smith, Moebius, David Wiesner, Gahan Wilson, and Overton Loyd. Read full book review >
Cover art for DEATH IS A LONELY BUSINESS
FICTION
Released: Oct. 28, 1985

"Scott Joplin); and—on nearly every page—quirky blendings of creepiness and humor, innocence and decadence, nightmare and cartoon."
Though dedicated to the memory of mystery-writers Chandler, Hammett, Cain, and Macdonald, Bradbury's new novel—his first full-length fiction since Something Wicked This Way Comes—isn't really an homage to the hard-boiled detective genre. Read full book review >
Cover art for THE TOYNBEE CONVECTOR
FICTION
Released: June 23, 1988

"Lyrical word-collage pasted around candy people: fantasy that just evaporates—and maybe best suited to a YA audience."
Bradbury's first story sheaf since The Stories of Ray Bradbury (1980) finds him more lyrically Bradburyesque than ever, in 22 new fantasies. Read full book review >
Cover art for ZEN IN THE ART OF WRITING
NONFICTION
Released: March 26, 1990

"Nonlovers may find the fare a bit exotic and rich."
Bradbury, all charged up, drunk on life, joyous with writing, puts together nine past essays on writing and creativity and discharges every ounce of zest and gusto in him. Read full book review >
Cover art for A GRAVEYARD FOR LUNATICS
FICTION
Released: July 2, 1990

"A tall crock of kirsch and Classic Coke."
Hyperrhapsodic Hollywood fantasia borne on a soft-rubber mystery plot, or Moby Dick blown up on a trout's spine. Read full book review >
Cover art for GREEN SHADOWS, WHITE WHALE
FICTION
Released: May 28, 1992

"He has never written better."
Bradbury goes mainstream with a hymn to Ireland and alcohol, focusing on writing a screenplay with John Huston for the director's film Moby Dick. Read full book review >
Cover art for QUICKER THAN THE EYE
FICTION
Released: Nov. 7, 1996

"So-so material for the most part; fans hoping for another Martian Chronicles or October Country face certain disappointment."
A collection of 21 tales from the Grandfather fantasist—none of which have appeared in book form before, though our galley doesn't tell us where they have appeared before, if they have, or when they were written. Read full book review >