CHILDREN'S
Released: Jan. 6, 2009
"When he concludes, "I've enjoyed walking the island with you," readers will believe him. (Autobiography. 9 & up)"
A joyous photo of the author with outstretched arms on the cover invites readers to join him on a walk through his life, present and past.
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CHILDREN'S
Released: Jan. 9, 2007
"Incorporated into these final spreads with the music are concluding illustrations for every song, each focusing on a shining source of light. (Nonfiction. 3-8)"
An extra-large trim size, a vibrant palette and Bryan's glorious cut-paper collage illustrations add up to a marvelous interpretation of three traditional African-American spirituals: "This Little Light of Mine," "Oh, When the Saints Go Marching In" and "He's Got the Whole World in His Hands."
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CHILDREN'S
Released: Jan. 1, 2003
"Still, the rolling language and appealing illustrations make this a must. (Picture book/folktale. 4-7)"
ADULT
Released: Oct. 1, 1999
Every country boasts its own proverbs, but unless US children study a foreign language or live in a bilingual family, their exposure to these pithy sayings can be limited.
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CHILDREN'S
Released: Nov. 1, 1997
"Adults who heard the speech will experience it anew; children who didn't will be able to place the words in a historical framework. (Nonfiction. 8-11)"
A handsome edition in which 15 illustrators, Coretta Scott King's foreword, and an appended two-page biography of Martin Luther King Jr. create a unique context for his famous speech of 1963.
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CHILDREN'S
Released: Oct. 5, 1995
"The Gosses (The Baby Leopard, 1989, not reviewed, etc.) also include recipes for the feast that follows the storytelling, as well as instructions for games, making clothes, and designing cards. (Anthology. 5+)"
Families and schools can draw on this wonderful, generous guide to shape their own Kwanzaa celebrations.
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CHILDREN'S
Released: May 30, 1995
"Bryan's hyperbright illustrations cannot hold interest in the wake of the overbearing text; the designwork that appears among the pages comes across as unrelated, forgettable bijouterie. (Picture book. 6-9)"
CHILDREN'S
Released: Oct. 29, 1993
"There is one of Bryan's uniquely vibrant, swirling, light-filled paintings on every page. (Folklore/Picture book. 4-8)"
A delightful adaptation of a Nigerian folktale about "Ma Sheep Thunder" and her "Son Ram Lightning," who live in a village where the people rely on them to call their friend Rain down from the clouds over the mountain.
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CHILDREN'S
Released: Sept. 1, 1993
"A book that belongs in every library. (Anthology. 4+)"
Thirty years after its original publication, this landmark anthology of poems, songs, stories, and recipes, by and about African-Americans, is welcomed back in handsome new dress, with a new introduction by Augusta Baker describing her part in the first compilation, an intelligent note from Rollins's son explaining the decision to retain the original language ("While some...may seem outdated, to make any changes would certainly alter the artistic intent...[The] language does not obscure the messages of peace, unity, and goodwill that still ring true..."), and splendid new linoleum-block illustrations—at once decorative, lively, expressive, and dignified.
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CHILDREN'S
Released: Sept. 30, 1992
"There are some poignant moments here, and some intriguing thoughts, but these poems are most notable for their rhythmic, musical language—and as a foil for the lyrically decorative art. (Poetry/Picture book. 8+)"
Twenty-three short poems celebrating family, animals, flowers, and music, many of them alluding to a tropical island setting.
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CHILDREN'S
Released: Nov. 4, 1991
"Piano arrangements by John Andrew Ross; notes for musicians. (Nonfiction. 4+)"
In the same sunny, luminous colors he used for All Night, All Day (p. 534), Bryan presents nine more spirituals, linking them with figures from Noah ("Didn't It Rain?") to Jonah ("Wake Up!
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CHILDREN'S
Released: April 30, 1991
"Note on the spirituals. (Nonfiction. 4+)"
Twenty splendid examples of spirituals are provided with simple arrangements by David Manning Thomas (guitar chords also included).
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CHILDREN'S
Released: Oct. 1, 1989
"Fine for reading, telling, and sharing; just right to pair with Mosel's Tikki Tikki Tembo."
Retold from Parsons' Folklore of the Antilles (1936), a story about delight in the sounds of words and the warm relationship between a boy and his Granny.
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CHILDREN'S
Released: Sept. 1, 1988
"Bryan retells the story with vigor and humor; the brush drawings, in shades of gray on buff, are appropriately decorative, although some of the subtleties of the brushwork have been lost in reproduction."
The illustrator here—who is a professor of sculpture at Dartmouth—remembers this Japanese tale from his childhood.
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CHILDREN'S
Released: March 12, 1985
"It's an idea to capture a child's fancy, and touch a cat-lover's heart—with a measured, word-wise text satisfying to read or read aloud."
Or, why cats eat rats—quietly and effectively adapted from a West Indian folk tale by an accomplished compiler/illustrator (The Ox of the Wonderful Horns, Beat the Story-Drum, Pure-Pure).
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CHILDREN'S
Released: Oct. 20, 1981
"Pointed up with Bryan's fluent, emphatic woodcuts, they could catch the eye and the ear of a TV-trained audience."
Five more transplanted African folktales, equipped, for reading aloud, with much pum-pum, uh-huh, and a little be-bop, by the author/artist of The Ox of the Wonderful Horns.
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CHILDREN'S
Released: Oct. 19, 1980
"The idiomatic speech and other regional touches give the well-made little story some color, though like the jumbie it lacks the fullness of life that would convince you it's real."
CHILDREN'S
Released: March 9, 1977
"And if Spider's still singing then they're still dancing"—but to what beat is anyone's guess."
According to an appended note, this is retold from a collection of folklore of the Antilles, but it would be hard to place as it turns up here—with a strutting young man named Spider Ananse playing opposite Granny; a proper melting pot of crops which he tricks her out of; and his comparison of the dancing Granny to, of all things, a tumbleweed.
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CHILDREN'S
Released: Sept. 10, 1976
"An option."
We know before beginning—from Bryan's past collections, his illustrations, the prefacing Ashanti proverb, and the characteristic "we do not mean. . ." opener—that these are set in Africa and either real or pseudo folk tales; but nowhere does Bryan say so. . . let alone identify the specific culture and sources.
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CHILDREN'S
Released: Sept. 10, 1974
"In all, this is not quite the ideal format for a "first book of spirituals," but Bryan's illustrations have an emotional toughness not usually found in work for children — one which refutes, albeit not very subtly, the misconceived notion that spirituals are either submissive or sentimental."
Stark sobriety of mood and fluid overall design meet in Ashley Bryan's black and white prints which feature African people and motifs, often mixed with biblical subjects.
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CHILDREN'S
Released: Oct. 21, 1971
"The simple style, large print, and handsome appearance make this an acceptable addition for younger readers, but there is no scarcity of fuller, more compelling, African collections."
The title story, which also appears in Kathleen Arnott's African Myths and Legends (1962) and is similar to the Irish "Billy Beg and the Bull," is accompanied here by four brief, moderately entertaining animal tales (one featuring the well-known Ananse the spider) and decorated with woodcuts in an emphatic African manner.
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