Following up their portrait of Malcolm X (2000), Myers briefly traces Dr. King's career, and Jenkins adds kaleidoscopic collages that both depict major incidents and figures of the Civil Rights movement, and capture the time's turmoil. Dr. King certainly doesn't lack for biographers, but Myers is unusually even-handed, highlighting King's nonviolent philosophy while viewing the Movement's angrier, more violent outbursts with a certain degree of—not sympathy, exactly, but understanding.
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