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THE WAY THAT LEADS AMONG THE LOST

LIFE, DEATH, AND HOPE IN MEXICO CITY'S ANEXOS

An engaging and insightful book.

A Stanford anthropology professor examines the largely invisible world of Mexican community drug-rehabilitation centers known as anexos.

Garcia, author of The Pastoral Clinic, stumbled upon the anexo system when a driver she hired in Mexico City took her to the facility that had treated his daughter. She quickly learned that these informal facilities were “refuges” for substance abusers. “I grew up in a family that suffered from addiction problems,” she writes. “During my three years of research, several of the people I knew and cared for were incarcerated or had overdosed and died.” The author discovered that while officials called anexos “garbage cans for trash,” others saw them as spaces that could benefit the impoverished and protect them from the dangers of a violent society. Compelled to learn more about them, Garcia gained access to several facilities across Mexico City. Her first encounters with anexo leaders and the people they oversaw surfaced memories of her own youth, part of which she spent living with runaway teens. The author’s connection to the largely invisible community self-help network to which anexos belonged only intensified as she continued her research and learned of the methods used to purge anexados of their addictions. Garcia also learned that staff members routinely administered beatings and insults, but dedicated workers provided important space for testimony, “a way of expressing and interpreting violence on different discursive levels.” Set against the background of the ongoing drug war in Mexico, this probing book raises ethical questions about the use of violence as a rehabilitative tool. It also illuminates the role of the U.S. in perpetuating human suffering through military aid, illegally trafficked guns, and its insatiable hunger for drugs while immersing readers in Garcia’s own struggle to overcome the demons of a painful past.

An engaging and insightful book.

Pub Date: April 30, 2024

ISBN: 9780374605780

Page Count: 272

Publisher: Farrar, Straus and Giroux

Review Posted Online: Jan. 18, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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WHAT THIS COMEDIAN SAID WILL SHOCK YOU

Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.

The comedian argues that the arts of moderation and common sense must be reinvigorated.

Some people are born snarky, some become snarky, and some have snarkiness thrust upon them. Judging from this book, Maher—host of HBO’s Real Time program and author of The New New Rules and When You Ride Alone, You Ride With bin Laden—is all three. As a comedian, he has a great deal of leeway to make fun of people in politics, and he often delivers hilarious swipes with a deadpan face. The author describes himself as a traditional liberal, with a disdain for Republicans (especially the MAGA variety) and a belief in free speech and personal freedom. He claims that he has stayed much the same for more than 20 years, while the left, he argues, has marched toward intolerance. He sees an addiction to extremism on both sides of the aisle, which fosters the belief that anyone who disagrees with you must be an enemy to be destroyed. However, Maher has always displayed his own streaks of extremism, and his scorched-earth takedowns eventually become problematic. The author has something nasty to say about everyone, it seems, and the sarcastic tone starts after more than 300 pages. As has been the case throughout his career, Maher is best taken in small doses. The book is worth reading for the author’s often spot-on skewering of inept politicians and celebrities, but it might be advisable to occasionally dip into it rather than read the whole thing in one sitting. Some parts of the text are hilarious, but others are merely insulting. Maher is undeniably talented, but some restraint would have produced a better book.

Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.

Pub Date: May 21, 2024

ISBN: 9781668051351

Page Count: 384

Publisher: Simon & Schuster

Review Posted Online: March 5, 2024

Kirkus Reviews Issue: April 1, 2024

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BEYOND THE GENDER BINARY

From the Pocket Change Collective series

A fierce, penetrating, and empowering call for change.

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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.

The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.

A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)

Pub Date: June 2, 2020

ISBN: 978-0-593-09465-5

Page Count: 64

Publisher: Penguin Workshop

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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