A winningly interior journey into the most interior of seasons.
The Norwegian author continues his series of seasonal meditations with some appropriately austere thoughts on nature and life in a cold climate.
This is the second book in a planned quartet that Knausgaard (My Struggle: Book Five, 2016, etc.) conceived as a kind of welcoming present for his newborn daughter, collecting brief musings on a variety of quotidian subjects, written as if one were seeing the world anew. Its predecessor, Autumn (2017), balanced riffs on philosophical themes (forgiveness, illness) with more overtly offbeat takes on everyday stuff (tin cans, vomit). Here, the author sticks to more elemental matters, drawing heavily on nature and Scandinavian folklore, while also writing more personally about friends and the messiness of family life. (One piece is literally titled “Mess.”) Pipes evoke “a vast physical network which lies coiled, serpent-like around the globe”; stuffed animals externalize what children’s “souls look like, small, soft, good, and faithful”; a train is “an embodiment of longing”; sugar is a “cheap and simple pleasure” undermined by good-health hard-liners. Where the prevailing mood in Knausgaard’s My Struggle novels is anxiety, these seasonal books are propelled by his sense of wonder. Whether he’s contemplating a deer struck by a car on the highway or a beloved pair of “old, tattered, almost Chaplin-esque boots,” the author casts the world in a holy glow of surprise and compassion, whether it involves science or myth. The fact that he follows a piece on atoms with one on the prankster god Loki seems no accident. Trying to see the world anew, though, also means seeing the world weirdly at times, and he delivers peculiar takes on Q-tips and half-seriously proposes “sex stations along major roads” to satisfy carnal cravings. Such moments, however, read more like fresh perspectives than hollow provocations.
A winningly interior journey into the most interior of seasons.Pub Date: Jan. 23, 2018
ISBN: 978-0-399-56333-1
Page Count: 272
Publisher: Penguin Press
Review Posted Online: Oct. 10, 2017
Kirkus Reviews Issue: Nov. 1, 2017
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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