Blair Brown delivers a superb narration of Elizabeth Gilbert’s novel, which features the recollections of a 95-year-old New York seamstress who came of age during WWII. Brown’s straightforward, charming depiction illuminates the vivacious young woman the wistful elderly narrator remembers, and her conversational pacing creates vibrant pictures for the listener. In 1940, after Vivian dropped out of Vassar and moved to Manhattan to help her aunt run a decrepit theater company, she discovered the joys of an unbridled sex life and the idiosyncrasies of the acting community. She also created stunning costumes for the company, including a middle-aged British actress memorably rendered by Brown. The storytelling device of the main character writing a letter is a bit clumsy, but the novel is entertaining. N.M.C. 2020 Audies Winner © AudioFile 2019, Portland, Maine
Pub Date: June 4, 2019
Duration: 15 hrs
DD ISBN: 9781984888471
Publisher: Penguin Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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