This audiobook defies easy labels, and narrator Brian Nishii is well suited to this type of material. His soft voice assumes an earnest, intense air as he follows the unnamed narrator through an alternate world. The plot is ethereal and fantastical, and the dreamy tone Nishii adopts seems appropriate as the narrator's thoughts meander. Lost love, exiled shadows, dream libraries, and coconut trees--Nishii's gentle, often hesitant, voice strolls among images both realistic and magical. For some, this lengthy performance may be too soft focused and slow. Nishii does a fine job, and it's up to the listener to decide whether the story offers enough in return. For Murakami devotees, this should be an exceptional listening experience, with plenty of sonic space to embrace the meditative.
Pub Date: Nov. 19, 2024
Duration: 17 hrs, 30 mins
DD ISBN: 9780593947555
Publisher: Random House Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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