Hanako Footman performs this quiet novel featuring Koishi and her father, Nagare, both of whom run the Kamogawa Diner, a small restaurant on a side road in Kyoto. Together, they help their customers find lost meals from their pasts, researching the ingredients down to their most minute details. Each chapter is a new case, a new desperate person looking to reconnect with some of their most treasured--and sometimes traumatic--memories. Footman's narration captures the story's cozy atmosphere and nostalgic tone as Nagare and Koishi track down each customer's unique meal. Footman delivers the description of each dish in an enticing way that will make listeners' mouths water for dishes like Neapolitan spaghetti, nabeyaki udon, and tonkatsu.
Pub Date: Feb. 13, 2024
Duration: 5 hrs
DD ISBN: 9780593863855
Publisher: Penguin Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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