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GETTING RID OF MATTHEW

Rosalyn Landor's British accent aids the listener's enjoyment of this romantic comedy about a 40-year-old woman trying to get rid of her married lover after he has left his family in order to move in with her. At times funny, and even reflective, Landor is a capable narrator who takes the story through its various ups and downs and delivers its twists seamlessly. Alternating between the perspectives of the three main characters, Landor's characterizations of the mistress, the wife, and the meandering husband ensure that the listener is never confused. She shifts well among male and female characters and enlivens the cast of supporting characters each time they enter a scene.

Pub Date: Feb. 4, 2007

Duration: 10 hrs, 30 mins

Publisher: Books on Tape

Review Posted Online: Jan. 22, 2026

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    THE BETTING VOW

    A model and a mogul get married in Vegas on a bet, and Diana Luke narrates their story with élan. While it would be easy to portray Leila Darling as a scheming caricature or Carter Bain as a ruthless businessman, Luke never crosses that line. Her portrayal of Leila is generous and encompasses the full range of her character--from the formidable professional at the top of her game to the vulnerable woman who is unsure if she can trust a man with her heart. Likewise, Luke's portrayal of Carter showcases both his business acumen and his emotional vulnerability as he opens himself up to Leila. While loosely connected to the previous Unconventional Brides volumes, this can easily stand alone.

    Pub Date: N/A

    Duration: 9 hrs

    DD ISBN: 9781501968471

    Publisher: Recorded Books Inc.

    Review Posted Online: Jan. 22, 2026

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      THAT CAMDEN SUMMER

      After her divorce, Roberta Jewett, with her three daughters, returns to Camden, Maine, to start a new life. Such an independent move in 1916 brings difficulties with her mother, her in-laws and the townspeople. Dukes's performance, while skillful, sometimes suffer in scenes of emotional content. His pace slows, and his reading acquires the peculiar emphasis of someone trying to get instructions across to a non-English-speaking person. The effect is disturbingly laughable. When he resumes his normal pace, the story revives and personalities emerge again, but the awkwardness remains as an odd interruption to Spencer's drama of pain and love, dispelling Dukes's carefully constructed characterizations.

      Pub Date: N/A

      Duration: 3 hrs

      Publisher: Dove

      Review Posted Online: Jan. 22, 2026

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