Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

NOT IN VAIN, A PROMISE KEPT

An unflinching chronicle of loss that takes a hard look at the state of medical care in the United States.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

A family copes with a cancer diagnosis and the unforeseen challenges of the U.S. health care system in this debut memoir.

Mullamphys’ mother, Constance E. Burns, was “a fighter from the very beginning,” according to the author. She was born in New York state in 1942, weighing only two pounds, but managed to survive. She was the sole daughter in a family with four brothers; the author characterizes her as a giving woman and a well-liked restaurant server who worked very hard, but who also had an aversion to going to the doctor. When she finally did, after falling ill in 2010, physicians discovered that she had a 15-pound tumor on her ovary; she was soon diagnosed with ovarian cancer, along with other ailments, including a hiatal hernia, gastritis, and hemorrhoids. Mullamphy documents her mother’s numerous appointments over the course of eight months, which included chemotherapy sessions and surgeries before she died in December 2010. At the end of each chapter is a “Things We Learned” recap, which includes such insights as “Get to know the nurses on the floor,” which the family learned in May, and that “having a better schedule and consistency in staff would have made [hospice] easier,” which they discovered in the final month of Constance’s life.

Over the course of this book, the descriptions of the author’s mother’s worsening symptoms are chilling, but the most disturbing parts are those that recount the family’s struggles with the health care system. In one case, for instance, Mullamphy writes that she suspected that her mother, who suffered from constant, severe nausea, had been poisoned by excessive chemotherapy, which an oncologist later confirmed. What sets the author’s work apart from other memoirs of grief, however, are her expressions of anger a decade since her mother’s passing, and how accessible she makes these emotions to the reader. She tells of doggedly pursuing answers while dealing with seemingly apathetic doctors, and her layman’s translations of medical jargon even offer occasional lighter moments: “What the hell is platelet apheresis? It is a big machine similar to dialysis…like a rinse cycle, but it removes extra junk that can kill you instead of cleaning clothes.” The author writes that she worked on this book for a decade as a promise to her mother, expressed in the title. In it, she’s candid about the ugly parts of her own grieving process, including accounts of her worsening performance at a corporate reinsurance company, and the seizures she endured, in part, as the result of stress; she was eventually diagnosed with a neurocognitive disorder in 2013. Mullamphy’s impressions of her mother’s medical care oscillate throughout the work, but may be summed up with the dictum that one shouldn’t blindly trust medical staff “because human error happens.” She also effectively stresses how important it is “to watch over your loved ones and advocate for them when they cannot or won’t.”

An unflinching chronicle of loss that takes a hard look at the state of medical care in the United States.

Pub Date: Dec. 15, 2021

ISBN: 978-1-73480-262-7

Page Count: 124

Publisher: Self

Review Posted Online: May 11, 2022

Awards & Accolades

Likes

  • Readers Vote
  • 18


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

ELON MUSK

Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.

Awards & Accolades

Likes

  • Readers Vote
  • 18


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.

To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.

Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.

Pub Date: Sept. 12, 2023

ISBN: 9781982181284

Page Count: 688

Publisher: Simon & Schuster

Review Posted Online: Sept. 12, 2023

Kirkus Reviews Issue: Oct. 15, 2023

Awards & Accolades

Likes

  • Readers Vote
  • 37


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Awards & Accolades

Likes

  • Readers Vote
  • 37


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

Close Quickview