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CALLED TO ACCOUNT by David West

CALLED TO ACCOUNT

by David West

Pub Date: Nov. 8th, 2022
ISBN: 978-1-915225-07-8
Publisher: Self

Twenty-something twins travel to Frankfurt, where unexpected adventure and turmoil await them.

The fourth installment of West’s Sir Anthony Standen Adventures opens in the summer of 1612. The family vineyard near Rome is producing well, and Sir Anthony decides to purchase the adjacent vineyard. Now they must expand their market for an anticipated increased yield. Maria suggests that she and her brother Antonio bring samples of their wine to the Frankfurt Trade Fair, where they hope to attract a large wine merchant. Little do the siblings suspect that they will find themselves in the middle of a murder mystery and political upheaval that will put their lives in danger. They enter Frankfurt, and as they gaze around at the vibrant, bustling main market square, Antonio notices that a handsome young man is admiring Maria. Enter Manuel Nuñez, a doctor with a complicated past who adds a new layer of interest to the novel. When Maria and Antonio visit the home of pawnbrokers Edith and Daniel Bamberger and later find the elderly Jewish couple’s murdered bodies, they vow to ferret out the killers, winding up embroiled in the “Fettmilch uprising,” a historically documented savage siege against Frankfurt’s small Jewish community. Here West reaches the heart of this episode—the story of the political unrest among the town merchants and the vicious antisemitism that is roiling Frankfurt. The early part of this installment, which for the first time uses the second generation of Standens exclusively as lead protagonists, progresses slowly, focusing on the budding romance between Maria and Manuel rather than on adventure. But with the discovery of the Bamberger murders, the narrative accelerates and moves into the realms of meticulous investigation, espionage, and high action that are the hallmarks of the Standen Adventures. West, as always, sprinkles informative historical tidbits within the story and seamlessly integrates early-17th-century conventions, styles, and such miraculous innovations as Manuel’s gadget the Janssenscope, a prototype microscope.

Tender love and chilling mob violence alternate in this engaging, disturbing period drama.