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WHERE MADNESS LIES

A dramatically captivating and historically edifying novel.

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A fictional account, based on true events, of two mentally ill women in different historical eras and their struggle within psychiatric institutions.

Rigmor Blumenthal started to suffer fits of mania around 1926, when she was 15 years old, and also became prone to bouts of implacable depression, but doctors simply classified her as an “hysteric,” as was common at the time. She’s now 23 years old and living in Germany; her condition has only worsened, and her sister, Inga, who’s very protective of her, tries desperately to help, recruiting psychiatrist Arnold Richter to become her sibling’s “compassionate friend.” When Rigmor’s condition doesn’t improve, Inga sends her to an institution for treatment. Inga even ensures, by way of making a generous donation to the institute, that Arnold is given a position there to vigilantly protect her. However, the Nazis in power at the time are willing to go to “gruesome lengths” to “eradicate disease and decrease expenditure”—a policy that places Rigmor in mortal danger, especially because she is also Jewish. Over the course of the novel, the author deftly weaves together two moving stories—Inga’s attempt to rescue Rigmor from the sanatorium and flee to Switzerland, and later, in the 1980s, Inga’s work to help her granddaughter, Sabine, who finds herself in a predicament similar to Rigmor’s, as she’s mentally ill and confined involuntarily to a psychiatric institution in Massachusetts.

True notes that the “bones of the story are true,” and her novel has a poignant feeling of verisimilitude. Her depiction of Nazi Germany’s treatment of the infirm is vividly harrowing; children are the subjects of experiments and starved, patients are forcibly sterilized, and people deemed incurable are sent to the gas chambers. Anyone who voices an opposition to these policies risks their lives to do so. Moreover, the author paints a remarkably sensitive picture of Inga’s complex psyche—on the one hand, she’s a formidable person, full of self-possession, and on the other, she’s terrified to discuss her past. When Sabine presses her to do so, Inga does her best to evade her inquiries but falters. “That she allowed the conversation to get so out of hand was either a sign of her old age or an indication of a strength that Inga had not previously seen in Sabine….Perhaps it was a slow and painful excavation of a past that was getting more difficult to keep buried.” The plot is exceedingly complex and can slow to a crawl at times, but readers’ patience will be well rewarded, as True manages to convey a heartbreaking story without adding any sense of false sentimentality to the narrative. She wisely lets the reader encounter the drama without sensationalizing it, as it’s a tale that hardly needs rhetorical embellishment. Her prose style is simple and matter-of-fact, and it’s a manner of writing that’s suitable to the subject matter. Overall, this is a wrenching story that’s both historically scrupulous and artistically nimble—an impressive and rare combination.

A dramatically captivating and historically edifying novel.

Pub Date: Feb. 1, 2021

ISBN: 978-1-78904-460-7

Page Count: 344

Publisher: Top Hat Books

Review Posted Online: March 15, 2021

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  • New York Times Bestseller

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE FAMILIAR

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.

Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

Pub Date: April 9, 2024

ISBN: 9781250884251

Page Count: 400

Publisher: Flatiron Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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