Choi may be straining for postmodern effects, but there’s a lot of charm to his anxious novel, as if Thurber and Orwell had...

READ REVIEW

ANOTHER MAN'S CITY

This lightly Kafkaesque fable from a South Korean writer presents a man who suddenly finds his world not quite right in increasingly strange ways.

Known only as K, the hero wakes up one morning to find his alarm ringing on a Saturday, his pajamas missing and his favorite aftershave changed from brand V to Y. They’re small, almost explainable alterations, especially given the heavy drinking he performed the previous night. Soon, though, it’s clear that many things aren’t what they should be or what they seem to be, and that includes his wife and daughter and most of his relatives. More deceptions, illusions, masks and role-playing arise as K embarks on what’s at first a simple quest to find his lost mobile phone. Something that reads like a butcher’s promotion is an ad “from a purveyor of human organs.” A psychiatrist could be a “fruitcake.” A girl for hire, wonderfully named Sailor Moon, the Moon Nymph, is a “Pinocchio-like figure.” The whole situation could be a “mammoth conspiracy,” an “elaborate production that Big Brother was staging.” Like the almost-boy, Choi’s imagination is also loose-limbed, at times seeming to scramble through a grab bag of ideas, allusions and narrative elements, and ultimately succumbing to some unsatisfying gimmickry. Yet he has a knack for the sinister moment, and one fine and funny sustained passage takes K the devout Catholic through Confession and Mass. Most impressive is the consistency of K’s voice, sometimes comical, ever skeptical, oddly acquiescent—more Beckett than Kafka and a real achievement.

Choi may be straining for postmodern effects, but there’s a lot of charm to his anxious novel, as if Thurber and Orwell had gotten together for a skull session.

Pub Date: Oct. 14, 2014

ISBN: 978-1-62897-101-9

Page Count: 391

Publisher: Dalkey Archive

Review Posted Online: Aug. 28, 2014

Kirkus Reviews Issue: Sept. 15, 2014

Did you like this book?

No Comments Yet

Charming, challenging, and so interesting you can hardly put it down.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

SUCH A FUN AGE

The relationship between a privileged white mom and her black babysitter is strained by race-related complications.

Blogger/role model/inspirational speaker Alix Chamberlain is none too happy about moving from Manhattan to Philadelphia for her husband Peter's job as a TV newscaster. With no friends or in-laws around to help out with her almost-3-year-old, Briar, and infant, Catherine, she’ll never get anywhere on the book she’s writing unless she hires a sitter. She strikes gold when she finds Emira Tucker. Twenty-five-year-old Emira’s family and friends expect her to get going on a career, but outside the fact that she’s about to get kicked off her parents’ health insurance, she’s happy with her part-time gigs—and Briar is her "favorite little human." Then one day a double-header of racist events topples the apple cart—Emira is stopped by a security guard who thinks she's kidnapped Briar, and when Peter's program shows a segment on the unusual ways teenagers ask their dates to the prom, he blurts out "Let's hope that last one asked her father first" about a black boy hoping to go with a white girl. Alix’s combination of awkwardness and obsession with regard to Emira spins out of control and then is complicated by the reappearance of someone from her past (coincidence alert), where lies yet another racist event. Reid’s debut sparkles with sharp observations and perfect details—food, décor, clothes, social media, etc.—and she’s a dialogue genius, effortlessly incorporating toddler-ese, witty boyfriend–speak, and African American Vernacular English. For about two-thirds of the book, her evenhandedness with her varied cast of characters is impressive, but there’s a point at which any possible empathy for Alix disappears. Not only is she shallow, entitled, unknowingly racist, and a bad mother, but she has not progressed one millimeter since high school, and even then she was worse than we thought. Maybe this was intentional, but it does make things—ha ha—very black and white.

Charming, challenging, and so interesting you can hardly put it down.

Pub Date: Jan. 7, 2020

ISBN: 978-0-525-54190-5

Page Count: 320

Publisher: Putnam

Review Posted Online: Oct. 14, 2019

Kirkus Reviews Issue: Nov. 1, 2019

Did you like this book?

No Comments Yet

Well-written and insightful but so heartbreaking that it raises the question of what a reader is looking for in fiction.

DEAR EDWARD

A 12-year-old boy is the sole survivor of a plane crash—a study in before and after.

Edward Adler is moving to California with his adored older brother, Jordan, and their parents: Mom is a scriptwriter for television, Dad is a mathematician who is home schooling his sons. They will get no further than Colorado, where the plane goes down. Napolitano’s (A Good Hard Look, 2011, etc.) novel twins the narrative of the flight from takeoff to impact with the story of Edward’s life over the next six years. Taken in by his mother’s sister and her husband, a childless couple in New Jersey, Edward’s misery is constant and almost impermeable. Unable to bear sleeping in the never-used nursery his aunt and uncle have hastily appointed to serve as his bedroom, he ends up bunking next door, where there's a kid his age, a girl named Shay. This friendship becomes the single strand connecting him to the world of the living. Meanwhile, in alternating chapters, we meet all the doomed airplane passengers, explore their backstories, and learn about their hopes and plans, every single one of which is minutes from obliteration. For some readers, Napolitano’s premise will be too dark to bear, underlining our terrible vulnerability to random events and our inability to protect ourselves or our children from the worst-case scenario while also imagining in exhaustive detail the bleak experience of survival. The people around Edward have no idea how to deal with him; his aunt and uncle try their best to protect him from the horrors of his instant celebrity as Miracle Boy. As one might expect, there is a ray of light for Edward at the end of the tunnel, and for hardier readers this will make Napolitano’s novel a story of hope.

Well-written and insightful but so heartbreaking that it raises the question of what a reader is looking for in fiction.

Pub Date: Jan. 14, 2020

ISBN: 978-1-9848-5478-0

Page Count: 352

Publisher: Dial

Review Posted Online: Oct. 28, 2019

Kirkus Reviews Issue: Nov. 15, 2019

Did you like this book?

No Comments Yet
more