The near future, Khanna provocatively writes, will see more seesawing. But, he adds, “the tripolar world should be thought...

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THE SECOND WORLD

EMPIRES AND INFLUENCE IN THE NEW GLOBAL ORDER

George Orwell was right: The future will see three contending world powers, their alliances and rivalries with one another ever shifting, and scarcely any peace.

So says think-tanker Khanna, a fellow at the New America Foundation, who posits that the world turns on three empires: the United States, the European Union and China. “Big is back,” he writes. “It is inter-imperial relations—not international or inter-civilizational—that shape the world. Empires—not civilizations—give geography its meaning.” These great superpowers, he adds in a somewhat questionable metaphor, are like bumper cars, sure to careen into each other at some point but without any knowledge of how fast they’ll be hit. History tells us that empires are transitory things, while the poor will be with us always. Somewhere in the middle are the states of the “second world,” which “are frequently both first- and third-world at the same time,” mostly without a middle class but frequently with plenty of wealth and resources. Khanna, in the manner of Robert Kaplan, travels widely in these pages, visiting and writing about such far-flung places as Xinjiang, Chile, Iran and Belgium, as well as the capitals and principal cities of the empires. The second-world states, he suggests, will, like Turkey, find it expedient to maintain relations with all three. Turkey, for instance, will seek ties with Russia and China while seeking partnership in the EU and American-led alliances alike. Thanks to the Iraq War, he notes, the scale is being tipped around the world between the “two Wests” in the EU’s favor, while China is extending its international influence to places such as Hugo Chávez’s Venezuela, which “now resembles Iran prior to the overthrow of the Shah.”

The near future, Khanna provocatively writes, will see more seesawing. But, he adds, “the tripolar world should be thought of as a stool: With two legs it cannot stand long; with three it can be stable.”

Pub Date: March 11, 2008

ISBN: 978-1-4000-6508-0

Page Count: 496

Publisher: Random House

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 15, 2007

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Dramatic, immersive, and wanting—much like desire itself.

THREE WOMEN

Based on eight years of reporting and thousands of hours of interaction, a journalist chronicles the inner worlds of three women’s erotic desires.

In her dramatic debut about “what longing in America looks like,” Taddeo, who has contributed to Esquire, Elle, and other publications, follows the sex lives of three American women. On the surface, each woman’s story could be a soap opera. There’s Maggie, a teenager engaged in a secret relationship with her high school teacher; Lina, a housewife consumed by a torrid affair with an old flame; and Sloane, a wealthy restaurateur encouraged by her husband to sleep with other people while he watches. Instead of sensationalizing, the author illuminates Maggie’s, Lina’s, and Sloane’s erotic experiences in the context of their human complexities and personal histories, revealing deeper wounds and emotional yearnings. Lina’s infidelity was driven by a decade of her husband’s romantic and sexual refusal despite marriage counseling and Lina's pleading. Sloane’s Fifty Shades of Grey–like lifestyle seems far less exotic when readers learn that she has felt pressured to perform for her husband's pleasure. Taddeo’s coverage is at its most nuanced when she chronicles Maggie’s decision to go to the authorities a few years after her traumatic tryst. Recounting the subsequent trial against Maggie’s abuser, the author honors the triumph of Maggie’s courageous vulnerability as well as the devastating ramifications of her community’s disbelief. Unfortunately, this book on “female desire” conspicuously omits any meaningful discussion of social identities beyond gender and class; only in the epilogue does Taddeo mention race and its impacts on women's experiences with sex and longing. Such oversight brings a palpable white gaze to the narrative. Compounded by the author’s occasionally lackluster prose, the book’s flaws compete with its meaningful contribution to #MeToo–era reporting.

Dramatic, immersive, and wanting—much like desire itself.

Pub Date: July 9, 2019

ISBN: 978-1-4516-4229-2

Page Count: 320

Publisher: Avid Reader Press

Review Posted Online: May 20, 2019

Kirkus Reviews Issue: June 15, 2019

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However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

I KNOW WHY THE CAGED BIRD SINGS

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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