by A.G. Howard ‧ RELEASE DATE: Jan. 15, 2019
A decadent fantasy anchored in childhood delights with vibrantly detailed writing and brilliantly theatrical subplots.
A prophecy tells of a prince and princess who can save the world by joining their warring kingdoms.
“Once upon a nightmare, a princess was born in the kingdom of perpetual daylight.” So begins this dizzying mashup of fairy tales with a kaleidoscopic cast of characters. Princess Lyra and Prince Vesper hail from the dichotomous kingdoms of a world shorn in half by blood magic. Pale Lyra, a royal outsider with “iridescent eyes” and “hair, eyebrows, and lashes so silvery-white and glistening,” is the only person in Eldoria, the kingdom of endless sunlight, whose skin burns when exposed to sunshine. Vesper, “dark-haired, copper-skinned,” and “raven-eyed,” the defiant prince of a dark underworld, is “the only Nerezethite prince who’d been born night-blind in centuries.” When Lyra’s evil aunt Griselda conspires to kill the king, the worlds are further threatened by war and chaos. The greatest hope is a prophecy that tells of a prince and princess who “will be complete and embrace their oddities to bring the sun and moon together again.” In this sublimely detailed fantasy with elaborately drawn characters and breathtaking plot twists, fantasy is unrestrained and oftentimes wordy. Story arcs stop and sputter as they quest their way through magical thorns and honeysuckle brambles, but the patient reader will blow well past bedtime to stay up with this riveting tale.
A decadent fantasy anchored in childhood delights with vibrantly detailed writing and brilliantly theatrical subplots. (map) (Fantasy. 12-16)Pub Date: Jan. 15, 2019
ISBN: 978-1-4197-3141-9
Page Count: 528
Publisher: Amulet/Abrams
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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by Ransom Riggs ‧ RELEASE DATE: June 7, 2011
A trilogy opener both rich and strange, if heavy at the front end.
Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.
The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.
A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)Pub Date: June 7, 2011
ISBN: 978-1-59474-476-1
Page Count: 234
Publisher: Quirk Books
Review Posted Online: March 30, 2014
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by Scott Reintgen ‧ RELEASE DATE: Sept. 12, 2017
Fast-moving and intriguing though inconsistent on multiple fronts.
Kids endure rigorous competition aboard a spaceship.
When Babel Communications invites 10 teens to participate in “the most serious space exploration known to mankind,” Emmett signs on. Surely it’s the jackpot: they’ll each receive $50,000 every month for life, and Emmett’s mother will get a kidney transplant, otherwise impossible for poor people. They head through space toward the planet Eden, where they’ll mine a substance called nyxia, “the new black gold.” En route, the corporation forces them into brutal competition with one another—fighting, running through violent virtual reality racecourses, and manipulating nyxia, which can become almost anything. It even forms language-translating facemasks, allowing Emmett, a black boy from Detroit, to communicate with competitors from other countries. Emmett's initial understanding of his own blackness may throw readers off, but a black protagonist in outer space is welcome. Awkward moments in the smattering of black vernacular are rare. Textual descriptions can be scanty; however, copious action and a reality TV atmosphere (the scoreboard shows regularly) make the pace flow. Emmett’s first-person voice is immediate and innocent: he realizes that Babel’s ruthless and coldblooded but doesn’t apply that to his understanding of what’s really going on. Readers will guess more than he does, though most confirmation waits for the next installment—this ends on a cliffhanger.
Fast-moving and intriguing though inconsistent on multiple fronts. (Science fiction. 12-16)Pub Date: Sept. 12, 2017
ISBN: 978-0-399-55679-1
Page Count: 384
Publisher: Crown
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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