by Whitney Balliett ‧ RELEASE DATE: N/A
An open sesame for the uninitiated listener, a must for the jazz enthusiast, this collection by the jazz critic of the New Yorker Magazine is as lucid as it is stimulating. For those who cannot grasp the jargon of the floating jazz world, who are repelled by the cultish identification with the off-beat and the underground, who ultimately and in self defense consign the serious work of gifted musicians to the scrap heap of faddism, these articles published previously in the New Yorker, the Reporter and the Saturday Review extend an assuring invitation to listen, learn, and appreciate. Free from any partisan dogma-- cool jazz, beebop, progressive jazz-- these essays examine the field of music at hand and the musical intentions of those who created it. Critical, objective, Whitney Balliett approaches his subject with a high degree of literacy and clearheadedness, committed only to the object of appraisal. At times critical, at times enthusiastic, he places no demand on his reader other than interested concentration, a demand which will be well rewarded by a more informed enjoyment of such jazz masters as Ellington, Morton, Thelonious Monk, and Miles Davis. A unique contribution to the serious library of musical criticism.
Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Dutton
Review Posted Online: N/A
Kirkus Reviews Issue: June 15, 1959
Categories: NONFICTION
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.