A rambling effort to squeeze big themes inside a partners-in-crime frame.
An aging storekeeper and her adopted prodigal son team up to sell cocaine out of an inner-city delicatessen.
Luther Hightree and Gussie Steinberg are the central characters in this often-meandering story of loyalty and love transcending race and time. Luther is only 6 when Gussie and her husband, Sol, take him into their home after his birth mother, a substance-abusing prostitute, freezes to death in an alley. The Steinbergs’ acceptance of the boy is striking in no small part because Luther is black and they are white Jews, whose grocery operates in a poor, black neighborhood. The Steinbergs raise Luther under the resentful eye of their biological son, Maxwell, who soon strikes out for Harvard, while Luther simply leaves home with no announcement. Fox takes his time setting up the plot, devoting almost half the book to back stories, some of them tangential. The action picks up only when Luther returns after the death of Sol and proposes that he and Gussie use the family store as a drug trafficking front. Things change overnight. The name of the business and the selection of goods moves upmarket, along with the clientele, as Luther’s white buyers from a previous life turn up in droves. The authorities take notice of the “strange partnership” that has materialized so abruptly, and the consequences are inevitable. While the novel strives to create empathy for its characters through their shared suffering, many will be put off by its glib portrayal of “ghetto” life and the heavy-handed usage of racial epithets. Passages are also marred by three-dollar words—“condign,” “poltroon,” “revenant,” “rictus,” “simulacrum” and so on—in a story that would be better served by plainer language.
A rambling effort to squeeze big themes inside a partners-in-crime frame.Pub Date: Aug. 11, 2012
ISBN: 978-1477641415
Page Count: 278
Publisher: CreateSpace
Review Posted Online: Sept. 17, 2012
Review Program: Kirkus Indie
A captivating Jewish twist on the classic American campus novel.
In Hopen’s ambitious debut, an Orthodox Jewish high school student finds his world transformed when his family moves to South Florida.
When protagonist Ari Eden leaves his bland life in Brooklyn—where he never felt deeply rooted—for a glitzy, competitive Modern Orthodox day school in the Miami suburbs, both readers and Ari himself are primed to expect a fish-out-of-water narrative. And indeed, Ari finds that his new classmates, though also traditionally observant by many standards, enjoy a lifestyle that is far more permissive than his own (a shade of Orthodoxy that is known as “yeshiva”). Suddenly Ari’s modest, pious world is replaced with a Technicolor whirlwind that includes rowdy parties, casual sex, drinking, drugs, and far more liberal interpretations of Jewish law than he has ever known. With its representation of multiple kinds of traditional Judaism, Hopen’s novel is a refreshing corrective to the popular tendency to erase the nuanced variations that exist under the umbrella of “Orthodoxy.” It also stands out for its stereotype-defying portrayal of Ari and his friends as teenagers with typical teenage concerns. But this is not just a novel about reorienting oneself socially or even religiously; though Ari’s level of observance certainly shifts, this is also not a simple “off the derech” (Jewish secularization) narrative. Ari’s new friend group, particularly its charismatic, enigmatic leader, Evan—a sort of foil for Ari—pushes him to consider new philosophical and existential norms as well as social, academic, and religious ones. The result is an entirely surprising tale, rich with literary allusions and Talmudic connections, about the powerful allure of belonging. This novel will likely elicit comparisons to the work of Chaim Potok: Like Potok’s protagonists, Ari is a religious Jew with a deep passion for literature, Jewish texts, and intellectual inquiry, and as in Potok’s fiction, his horizons are broadened when he encounters other forms of Orthodoxy. But Hopen’s debut may actually have more in common with campus novels like Donna Tartt’s The Secret History and Tobias Wolff’s Old School; its narrator’s involvement in an intense intellectual community leads him down an unexpected path that profoundly alters his worldview. The novel suffers due to its lamentably one-dimensional, archetypal female characters: the tortured-artist love interest, the ditsy blond, the girl next door. Hopen’s prose, and the scale of his project, occasionally feels overindulgent, but in that sense, form and content converge: This stylistic expansiveness is actually perfectly in tune with the world of the novel. Overall, Hopen’s debut signals a promising new literary talent; in vivid prose, the novel thoughtfully explores cultural particularity while telling a story with universal resonances.
A captivating Jewish twist on the classic American campus novel.Pub Date: Nov. 17, 2020
ISBN: 978-0-06-297474-7
Page Count: 480
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 18, 2020
Kirkus Reviews Issue: Sept. 1, 2020
Unanswerable questions wrapped inside a thought-provoking yarn.
An inspirational novel about a disaster and an answered prayer by the author of The Five People You Meet in Heaven (2003).
What if you call out for the Lord and he actually appears before you? Days after billionaire Jason Lambert’s luxury yacht Galaxy suddenly sinks in the North Atlantic with many illustrious passengers aboard, a few survivors float in a life raft. Among them is Benji, a deckhand who narrates the ordeal in a notebook while they desperately hope for rescue. Lambert is a caricature of a greedy capitalist pig who thinks only of himself and his lost ship and mocks Benji as “scribble boy,” but the main character is a young stranger pulled out of the water. “Well, thank the Lord we found you,” a woman tells him. “I am the Lord,” he whispers in reply. Imagine the others’ skepticism: If you’re not lying, then why won’t you save us? Why don’t you answer our prayers? I always answer people’s prayers, he replies, “but sometimes the answer is no.” Meanwhile, the ship’s disappearance is big news as searchers scour the vast ocean in vain. The lost survivors are surrounded by water and dying of thirst, “a grim reminder of how little the natural world cares for our plans.” Out of desperation, one person succumbs to temptation and drinks ocean water—always a bad mistake. Another becomes shark food. The Lord says that for him to help, everyone must accept him first, and Lambert, for one, is having none of it. The storyline and characters aren’t deep, but they’re still entertaining. A disaffected crew member might or might not have sunk the ship with limpet mines. And whether the raft’s occupants survive seems beside the point—does a higher power exist that may pluck believers like Benji safely from the sea? Or is faith a sucker’s bet? Lord knows.
Unanswerable questions wrapped inside a thought-provoking yarn.Pub Date: Nov. 2, 2021
ISBN: 978-0-06-288834-1
Page Count: 288
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
