by Aaron Hamburger ‧ RELEASE DATE: Oct. 4, 2005
Thoughtful, but too long and attenuated. At this stage of Hamburger’s career, his short stories are better.
An American Jewish family’s pilgrimage to Jerusalem is the subject of this debut novel from Hamburger (The View from Stalin’s Head, stories, 2004).
When 22-year-old underachiever Jeremy Michaelson almost dies of a drug overdose, pragmatic matron Helen shepherds him and her terminally ill husband David (a retired psychoanalyst) onto a tour (“Michigan Miracle 2000”) that arrives in Haifa during a punishing heat wave. While Jeremy, happily gay and ever on the prowl, checks out a “cute Hasid” and gets harassed by “handsome, snickering Arab bullies,” Helen searches the World of her Fathers for inspiration, guidance and an understanding of why she and David have produced two gay sons (her elder, unlike reckless Jeremy, is a respected professional secure in a long-term relationship). The novel thus splits into two halves. We follow Jeremy as he attends a rowdy Shabbat dinner hosted by an Orthodox acquaintance, courts a shy, closeted yeshiva student, flashes his Western liberal’s credentials in social situations that cry out for reticence, then undertakes a whirlwind affair with a deaf Palestinian kindergarten teacher (which puts the latter in very real danger). Meanwhile, Helen attracts the initially unwelcome attentions of sexy Rabbi Sherman, stumbles through a meeting with Shimon Peres at a public reception and experiences a moment of mingled enlightenment and further confusion in an underground cave (Jerusalem tourist attraction Hezekiah’s Tunnel)—in a lame echo of the Marabar Caves incident in E.M. Forster’s A Passage to India. Hamburger strives mightily for variety, introducing chapters with excerpts from Jewish history or doctrine (“Faith for Beginners,” as it were), and focusing briefly on the moribund David, as he resigns himself to his fate and returns home early. As Helen, Jeremy and their varied instructors all learn, “No one ever said it was easy to be a Jew. . . .”
Thoughtful, but too long and attenuated. At this stage of Hamburger’s career, his short stories are better.Pub Date: Oct. 4, 2005
ISBN: 1-4000-6298-5
Page Count: 356
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
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by Russell Banks ‧ RELEASE DATE: Nov. 12, 2013
Old-fashioned short fiction: honest, probing and moving.
One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.
Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.
Old-fashioned short fiction: honest, probing and moving.Pub Date: Nov. 12, 2013
ISBN: 978-0-06-185765-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 31, 2013
Kirkus Reviews Issue: Sept. 15, 2013
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by Louis L’Amour ‧ RELEASE DATE: May 11, 1999
Superb stylist L’Amour returns (End of the Drive, 1997, etc.), albeit posthumously, with ten stories never seen before in book form—and narrated in his usual hard-edged, close-cropped sentences, jutting up from under fierce blue skies. This is the first of four collections of L’Amour material expected from Bantam, edited by his daughter Angelique, featuring an eclectic mix of early historicals and adventure stories set in China, on the high seas, and in the boxing ring, all drawing from the author’s exploits as a carnival barker and from his mysterious and sundry travels. During this period, L’Amour was trying to break away from being a writer only of westerns. Also included is something of an update on Angelique’s progress with her father’s biography: i.e., a stunningly varied list of her father’s acquaintances from around the world whom she’d like to contact for her research. Meanwhile, in the title story here, a missionary’s daughter who crashes in northern Asia during the early years of the Sino-Japanese War is taken captive by a nomadic leader and kept as his wife for 15 years, until his death. When a plane lands, she must choose between taking her teenaged son back to civilization or leaving him alone with the nomads. In “By the Waters of San Tadeo,” set on the southern coast of Chile, Julie Marrat, whose father has just perished, is trapped in San Esteban, a gold field surrounded by impassable mountains, with only one inlet available for anyone’s escape. “Meeting at Falmouth,” a historical, takes place in January 1794 during a dreadful Atlantic storm: “Volleys of rain rattled along the cobblestones like a scattering of broken teeth.” In this a notorious American, unnamed until the last paragraph, helps Talleyrand flee to America. A master storyteller only whets the appetite for his next three volumes.
Pub Date: May 11, 1999
ISBN: 0-553-10963-4
Page Count: 288
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
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