A message of hope that needs more emotional development within its characters.
This YA short story, inspired by the writer’s grandfather, portrays a boy’s struggle to find solace during the Holocaust.
Aharon, an Orthodox Jewish boy, lives in Munich, Germany, sometime after the Nazis have assumed power. Rock-throwing children and a Nazi guard set upon him and his brother, but another boy, Paul, temporarily hides them in his house, where he tends their wounds. Paul’s parents don’t like Jews, and when Aharon returns to thank his rescuer, Paul’s father orders him away. In the square, Aharon finds Paul giving away bread in the street, his goodness shining all the more in contrast with his father. Though Christian, Paul comes over for Passover, where he’s especially interested in the story of five rabbis standing up to the Romans. When Aharon next stops by Paul’s house, it’s been burned to the ground. The whole family was sent to Dachau because Paul helped him. A letter remains with Paul’s encouraging message: “The Yellow Star / Shines like a candle in the dark… / Don’t lose hope…because / you are the hope!” Next, Aharon and his family are sent to a camp, where his mother and father die. Aharon has Paul’s letter, however, which he reads to the other children, providing hope until their liberation. Later, Aharon reconciles with Paul’s father. Debut author Seth, a sixth-grade student, bases this story on his Orthodox Jewish grandfather, Paul Liebskind, though there are few points of similarity beyond unselfishness, as clarified in a short essay by illustrator Barran (The Survival of the Gingerbread Girl, 2015). Paul’s saintliness can make him seem more symbolic than real; for knowledgeable readers, he calls to mind other examples known from history, but as presented, his motives aren’t fully explored. Also, Paul and his family pay a high price for helping Aharon, which the book doesn’t consider. The central metaphor neatly turns the yellow star, a badge of shame, into a symbol of light and determination. The pencil-drawing illustrations are simple, fitting the child-narrator theme.
A message of hope that needs more emotional development within its characters.Pub Date: July 21, 2016
ISBN: 978-1-4602-8664-7
Page Count: -
Publisher: FriesenPress
Review Posted Online: Nov. 14, 2016
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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