High in her lonely tower, a mandarin’s daughter, Mi Nuong, gazes through a crescent window. A song floats up to her: “My love is like a blossom in the breeze. My love is like a moonbeam on the waves.” The girl is smitten. The song comes from a man gliding past the palace, rowing a fishing boat on the river. Her maid suggests it may be Mi Nuong’s intended, a mandarin’s son, in disguise. “Yes. Perhaps he is,” Mi Nuong murmurs, now really star-struck. But when it is revealed to her that the singer is only a poor fisherman, she laughs in his face. The fisherman, who had fallen in love with Mi Nuong at first sight, shrinks back to his humble cottage and dies, his heart having “turned hard to stop the pain.” It has also turned into a wondrous crystal that sits on the chest of his lifeless body, and the fisherman’s fellow villagers float it down the river to mingle with the ocean. It ends up on Mi Nuong’s beach, fashioned into a teacup, and when she goes to drink from it, she meets the fisherman’s eyes and realizes her folly. Her tears, falling into the cup, set his soul free. It is a keen tale of false expectations and confused priorities that Shepard (Master Maid, 1997, etc.) retells, where the power of a naive comment tips over into mortal cruelty. For his first picture book, Fiedler produces exquisite artwork; the landscapes are magically transporting, while the lustrous colors radiate an antique, spiritual quality. (Picture book/folklore. 6-9)

Pub Date: Sept. 1, 1998

ISBN: 0-689-81551-4

Page Count: 32

Publisher: Atheneum

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 1, 1998

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An impending school visit by a celebrity chef sends budding cook Ollie into a tailspin. He and his classmates are supposed to bring a favorite family food for show and tell, but his family doesn’t have a clear choice—besides, his little sister Rosy doesn’t like much of anything. What to do? As in their previous two visits to Room 75, Kenah builds suspense while keeping the tone light, and Carter adds both bright notes of color and familiar home and school settings in her cartoon illustrations. Eventually, Ollie winkles favorite ingredients out of his clan, which he combines into a mac-and-cheese casserole with a face on top that draws delighted praise from the class’s renowned guest. As Ollie seems to do his kitchen work without parental assistance, a cautionary tip or two (and maybe a recipe) might not have gone amiss here, but the episode’s mouthwatering climax and resolution will guarantee smiles of contentment all around. (Easy reader. 6-7)

Pub Date: Dec. 1, 2007

ISBN: 978-0-06-053561-2

Page Count: 48

Publisher: HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 15, 2007

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Fans both young and formerly young will be pleased—100 percent.


Published in magazines, never seen since / Now resurrected for pleasure intense / Versified episodes numbering four / Featuring Marco, and Horton and more!

All of the entries in this follow-up to The Bippolo Seed and Other Lost Stories (2011) involve a certain amount of sharp dealing. Horton carries a Kwuggerbug through crocodile-infested waters and up a steep mountain because “a deal is a deal”—and then is cheated out of his promised share of delicious Beezlenuts. Officer Pat heads off escalating, imagined disasters on Mulberry Street by clubbing a pesky gnat. Marco (originally met on that same Mulberry Street) concocts a baroque excuse for being late to school. In the closer, a smooth-talking Grinch (not the green sort) sells a gullible Hoobub a piece of string. In a lively introduction, uber-fan Charles D. Cohen (The Seuss, The Whole Seuss, and Nothing but the Seuss, 2002) provides publishing histories, places characters and settings in Seussian context, and offers insights into, for instance, the origin of “Grinch.” Along with predictably engaging wordplay—“He climbed. He grew dizzy. His ankles grew numb. / But he climbed and he climbed and he clum and he clum”—each tale features bright, crisply reproduced renditions of its original illustrations. Except for “The Hoobub and the Grinch,” which has been jammed into a single spread, the verses and pictures are laid out in spacious, visually appealing ways.

Fans both young and formerly young will be pleased—100 percent. (Picture book. 6-9)

Pub Date: Sept. 9, 2014

ISBN: 978-0-385-38298-4

Page Count: 56

Publisher: Random House

Review Posted Online: June 4, 2014

Kirkus Reviews Issue: June 15, 2014

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