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THE CROSSROADS AT MIDNIGHT

Unsettling in the best way.

Routine life intersects with the unnatural in five horror tales told through black-and-white comics.

In the opening story, Frankie talks to someone on the other side of the fence; only an eyeball can be seen through a small hole. Frankie is sick of interfering, judgmental parents and seeks connection with someone who understands. This yearning for companionship and comfort is echoed throughout the collection, each time ultimately leading to interactions with unknown beings. A stressed-out student seeks comfort from a mattress found abandoned on the street, which turns out to host a grotesque, flesh-stealing creature. Walking corpses become an old woman’s new companions. A young girl wants to be reunited with her friend the lake monster, who is not so friendly anymore. While each story features some sort of creature or monster, the way they play into the horror differs. Thrilling action, disturbing body horror, unnerving suspense, and deep melancholy can all be found within these tales. The art, consisting of realistic-looking crosshatching lines on white panels, is stunning, with various shapes and shading used intentionally to amp up the drama. The intensity of the stories warrants quick page turns, but all the little details of the art beg to be thoughtfully pored over. Most characters appear White; main characters in one of the stories are cued as Black.

Unsettling in the best way. (concept art) (Graphic horror. 13-adult)

Pub Date: Feb. 23, 2021

ISBN: 978-1-945820-68-7

Page Count: 320

Publisher: Iron Circus Comics

Review Posted Online: July 26, 2020

Kirkus Reviews Issue: Aug. 15, 2020

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OTHERWORLDLY

An irresistible elixir of romance and suspense.

In this Western mythology–inspired romance, a teen with a disdain for magic and an immortal familiar join forces to uncover the truth behind the relentless winter that devastates the region.

Before endless winter destroyed their family’s farm, 17-year-old Ellery Evans never questioned their parents’ devotion to the supernatural, but after five years of unanswered prayers, Ellery lets go of their faith and moves in with Charley, their cousin who lives in the city, seeking a steady paycheck as a real solution to their family’s problems. One night after work at the diner, they bump into Knox, the “hot weird guy” who never wears a coat when he picks up his takeout order. Danger follows in Knox’s shadow. During his last five years in the human realm, his goddess has mysteriously ignored all his attempts to contact her. Now, he’s hunted by her shades, who may be plotting against her. To stay in the human realm, Knox needs a contract with a human, or he’ll be powerless to fight the shades. At first, Ellery teams up with Knox reluctantly, but a complicated attraction soon stirs between them. Amid looming, supernatural threats, Ellery confronts their insecurities over trusting others with the support of found family who challenge them to grow and affirm their self-worth. Both Ellery and Knox are cued white; Lukens’ characters reflect racial diversity in the world around the leads.

An irresistible elixir of romance and suspense. (Supernatural romance. 14-18)

Pub Date: April 2, 2024

ISBN: 9781665916257

Page Count: 352

Publisher: McElderry

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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TOO SCARED TO SLEEP

A fresh, generous, wide-ranging compendium of frights.

Spooky stories covering multiple subgenres, plus some added attractions.

Few horrific tropes or creepy conventions are overlooked in Duplessie’s debut. The stories are arranged into six sections: “Short Frights for Dark Nights,” “Anatomical Anomalies,” “Five Minutes in the Future,” “Be Careful Who You Trust,” “The Dark Web,” and “The Unearthly, the Ghoulish, and the Downright Monstrous.” Some of the best entries are grounded in familiar setups, but Duplessie is careful to avoid repetition. The stories’ relatively short lengths and the crisp, direct writing style make this volume inviting for even reluctant readers, but it doesn’t shy away from the truly terrifying and grotesque. That said, the grisliest events are often described with poetic elegance rather than gratuitous violence: “His face collapsed like an empty paper bag.” The stories frequently conclude with the suggestion of frights to come rather than graphic depictions. One ends with an overly curious girl getting sealed up in a brick wall. Another foreshadows the murderous power of a cellphone. Highlights include the eerie “The Reaping,” in which the prick of a rose’s thorn triggers a spate of bloodlust, and “Chamber of Horrors,” which features a murderous iron maiden. Each story ends with a bonus in the form of a QR code and instructions to “scan the code for a scare”—if readers dare. Short, eerie poems are peppered throughout; there are even a handful of riddles. Most characters read white; names cue some ethnic diversity.

A fresh, generous, wide-ranging compendium of frights. (Horror. 13-18)

Pub Date: Oct. 10, 2023

ISBN: 9780063266483

Page Count: 224

Publisher: Clarion/HarperCollins

Review Posted Online: Aug. 11, 2023

Kirkus Reviews Issue: Sept. 1, 2023

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