Next book

THE FALLEN

Beneath the down-home Southern trappings, fans will find Atkins’ customary mixture of political corruption, true-blue...

Reluctantly back in the saddle as the sheriff of Tibbehah County, Mississippi, Quinn Colson goes up against a trio of bank robbers as cunning as they are clueless.

Rick Wilcox, Jonas Cord (who’s borrowed his name from that of a notorious Harold Robbins hero), and their buddy Opie have robbery down to a science. They know exactly the best time to move on even modest institutions like the Jericho First National Bank, and they perform each job with military precision. While Cord waits in a disposable stolen truck, the other two enter each target armed with a stopwatch, a pair of assault rifles, two Donald Trump masks, and an unforgettable tagline: “Anyone moves and I’ll grab ‘em by the pussy.” No one generally moves, and the former Marines and their junior partner drive off, ditch their ride and set it afire, and then take off to plot their next caper. Now that they’ve fouled his nest, Quinn would love to catch them, but he and his deputies have their hands full with the disappearance of teenagers Tamika Odum and Ana Maria Mata, county supervisor Skinner’s endless complaints against Vienna’s Place, the strip club Fannie Hathcock runs just outside the city limits, and the trashing of Maggie Powers’ house by somebody, presumably her estranged husband, who didn’t even bother to steal anything. This last crime would barely register on Quinn’s radar if Maggie weren’t a well-nigh forgotten friend he spent summers playing with as a child, an old acquaintance with whom his friendship might well blossom into something else. In between shared meals of catfish and whiskey, though, Quinn keeps being drawn back to Vienna’s Place—and so, it turns out, do the robbers he’s pursuing.

Beneath the down-home Southern trappings, fans will find Atkins’ customary mixture of political corruption, true-blue policing, intimate betrayals, and wholesale violence. The satisfyingly inconclusive ending of this sequel to the equally dark The Innocents (2016) puts a whole new spin on catharsis.

Pub Date: July 18, 2017

ISBN: 978-0-399-57671-3

Page Count: 384

Publisher: Putnam

Review Posted Online: May 1, 2017

Kirkus Reviews Issue: May 15, 2017

Categories:

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • New York Times Bestseller

Next book

PRETTY GIRLS

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • New York Times Bestseller

Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.

The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.

Pub Date: Sept. 29, 2015

ISBN: 978-0-06-242905-6

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

Awards & Accolades

Likes

  • Readers Vote
  • 24


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

NINTH HOUSE

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...

Awards & Accolades

Likes

  • Readers Vote
  • 24


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.

Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-31307-2

Page Count: 448

Publisher: Flatiron Books

Review Posted Online: June 30, 2019

Kirkus Reviews Issue: July 15, 2019

Close Quickview