by Ada Palmer ‧ RELEASE DATE: Dec. 5, 2017
Still intriguing and worth pursuing, but the strain may be beginning to show.
A stagnant, complacent Earth faces war in the 25th century in the third of an ongoing science-fantasy series (Seven Surrenders, 2017, etc.).
The world, now ruled by Hives affiliated with philosophical viewpoints instead of geographic nations, has had 300 years of peace, now coming to an end. Anger rises over various revelations that peace was maintained by corruption, secret assassinations, and government manipulation. The data suggest that war is coming, but no one seems sure precisely what the sides will be and what they will fight about. All the issues eventually coalesce around J.E.D.D. Mason, the young man who plays a major role in all the Hive governments and who has proclaimed himself a god from another universe, incarnated in human form as a Conversation with this universe’s Creator. There is something curiously compelling about Palmer’s narrative, but its success depends on whether the reader believes in this world of technological marvels that is purportedly our own but which also features two gods and a resurrected Achilles created from a toy soldier. It’s clear that the Hive system isn’t working, but should the only alternative be an autocracy directed by a supposedly kind and benevolent alien god whose two closest companions are a cannibalistic murderer and a sadistic serial kidnapper? The cannibalistic murderer is our narrator, the brilliant, brutal, and extremely broken Mycroft Canner, who in this volume is showing signs of extreme mental deterioration. What initially appears to be a literary device—Mycroft’s intense conversations with an imagined audience which includes a future reader of the book; the philosopher Hobbes; and Apollo Mojave, one of his murder victims—actually signals a growing madness that apparently no one is bothering to treat except in the most minimal way. Appreciating the book depends on whether one is willing to spend extended time in Mycroft’s pompous, servile, and erratic company. Some might also find Mycroft’s beliefs about gender in what is purportedly but not convincingly a gender-neutral society somewhat offensive.
Still intriguing and worth pursuing, but the strain may be beginning to show.Pub Date: Dec. 5, 2017
ISBN: 978-0-7653-7804-0
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 13, 2017
Kirkus Reviews Issue: Dec. 1, 2017
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by Blake Crouch ‧ RELEASE DATE: July 26, 2016
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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PROFILES
BOOK TO SCREEN
by Ernest Cline ‧ RELEASE DATE: Aug. 16, 2011
Too much puzzle-solving, not enough suspense.
Video-game players embrace the quest of a lifetime in a virtual world; screenwriter Cline’s first novel is old wine in new bottles.
The real world, in 2045, is the usual dystopian horror story. So who can blame Wade, our narrator, if he spends most of his time in a virtual world? The 18-year-old, orphaned at 11, has no friends in his vertical trailer park in Oklahoma City, while the OASIS has captivating bells and whistles, and it’s free. Its creator, the legendary billionaire James Halliday, left a curious will. He had devised an elaborate online game, a hunt for a hidden Easter egg. The finder would inherit his estate. Old-fashioned riddles lead to three keys and three gates. Wade, or rather his avatar Parzival, is the first gunter (egg-hunter) to win the Copper Key, first of three. Halliday was obsessed with the pop culture of the 1980s, primarily the arcade games, so the novel is as much retro as futurist. Parzival’s great strength is that he has absorbed all Halliday’s obsessions; he knows by heart three essential movies, crossing the line from geek to freak. His most formidable competitors are the Sixers, contract gunters working for the evil conglomerate IOI, whose goal is to acquire the OASIS. Cline’s narrative is straightforward but loaded with exposition. It takes a while to reach a scene that crackles with excitement: the meeting between Parzival (now world famous as the lead contender) and Sorrento, the head of IOI. The latter tries to recruit Parzival; when he fails, he issues and executes a death threat. Wade’s trailer is demolished, his relatives killed; luckily Wade was not at home. Too bad this is the dramatic high point. Parzival threads his way between more ’80s games and movies to gain the other keys; it’s clever but not exciting. Even a romance with another avatar and the ultimate “epic throwdown” fail to stir the blood.
Too much puzzle-solving, not enough suspense.Pub Date: Aug. 16, 2011
ISBN: 978-0-307-88743-6
Page Count: 384
Publisher: Crown
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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SEEN & HEARD
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