A novel about a scheming president offers an excellent read for those who love thrillers or 21st-century history.
In this dystopian sequel, the Underground races to expose a secret surveillance program before the Enemy’s final blow.
The Enemy has bombarded the Capital with airstrikes. The man known as Seven, who once worked for the government’s Elite Guard as Agent Jon Wyle, has evacuated the city with damning information on a flash drive. He aims to prove that President William Drake, his surveillance-obsessed administration, and the fearmongering Church want nothing less than complete control over the nation’s populace. He ends up sharing a car with a woman named Talia, and they head for Loganville, to her brother Shaan’s home. Naturally, Elite Guard Agent Eve Parker—Jon’s fiancee—remains on Seven’s trail. Seven and his cohorts narrowly escape into the arms of Daniel Alexander Young Jr. and the Underground, the freethinking “Heretics” battling the nation’s enforced division. As Young plans to expose the executive branch as corrupt, Drake uses the Capital attack to announce Patriot ID, a chip-based (and mind-invading) program that will “quickly separate the Heretics from the Patriots.” Then the Enemy contacts the Underground, claiming a too-good-to-be-true desire for a joint effort in taking down Drake. Do Seven and Young dare use the Enemy’s firepower to ignite revolution in cities across the country? In this sequel, Bender (We, the Watched, 2013, etc.) further filters the chaos of the George W. Bush presidency through a gripping dystopian narrative. At one point, Young explains, “We have four branches of government: executive, legislative, judicial, and the Church.” Bender expertly fleshes out Eve and Jon’s relationship through flashbacks. These scenes help fully realize the evolution of his characters’ hearts and minds as the moral terrain worsens. There are even critiques of U.S. empire building, as when Seven asks, “How can we be so sure that,” once the Enemy has defeated Drake, it won’t be “just as controlling as the Guard?” Overall, the author keeps the narrative fluid, never bogging it down in extended battle sequences or windy polemics. Bender’s sequel is a worthy delivery on the promise of his riveting debut.
A novel about a scheming president offers an excellent read for those who love thrillers or 21st-century history.Pub Date: May 9, 2014
ISBN: 978-1-4954-9212-9
Page Count: 328
Publisher: CreateSpace
Review Posted Online: May 27, 2016
Kirkus Reviews Issue: July 1, 2016
Review Program: Kirkus Indie
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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