A start filled with real possibility degenerates into the formulaic.
Second-novelist Berlin (Headlock, 2000) offers another skillful yet surface-driven tale of two closely bonded males, this time a single father and his 16-year-old son.
Living in Manhattan, on Bedford Street in the West Village, Jared Chiziver makes his living as—well, as a pickpocket, and one par excellence. He’s not only good enough never to have been caught, but good enough to provide himself and his son Ben—a brainy kid who tested into a spot at Stuyvesant High—with a regular, decent, and more or less normal life. Father and son talk seriously, eat three squares, both love movies, even go running together—the last being part of a major extracurricular passion for Ben and a way of staying fit and young for his good-looking if enigmatic father. This premise of an alternative and unusual life in the big city is filled with possibility and is well handled indeed by Berlin—until the hunger for plot rears its head. Which happens first hardly matters—Ben’s turning out to be gay or his father’s stumbling upon a woman who, unlike the usual long string of once-only lovers, doesn’t bore him after a one-night stand. Anna Partager is different—more authentic, a good cook, and a photographer, working just now on a book to be made up of photos of dead men. A mixed blessing, this, since, though it does provide a fascinating scene of Anna’s photographing a dead man on the subway, it also telegraphs heavy-handedly what’s to come. Ben’s newfound sexuality will get him attacked in a horrific way, and the awful vengeance taken by his understanding and impassioned father—the novel could be called Perils of the Penis—will necessitate flight from the Big Apple, hiding out in Miami, and then, due to cash flow problems, the undertaking of a major heist that will end up with—need it be said, a last photo of a dead man, taken by Anna.
A start filled with real possibility degenerates into the formulaic.Pub Date: March 9, 2004
ISBN: 0-312-31923-1
Page Count: 288
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2004
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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