Braver (Divine Sarah, 2004) makes an ambitious attempt to examine how accidents harden into fate and tries to coordinate too...
A second’s inattention changes the shape of a woman’s life.
Claire Andrews is a well-respected van Gogh scholar and newly single university professor. Her life has a predictable pattern: teaching, researching, socializing with a few close friends. If she isn’t exactly going through the motions, she is at the very least treading a well-worn path, but after she strikes and kills a young boy with her car, the comfortable order of her world is permanently altered. Perhaps more disorienting than the accident itself are the responses it elicits. Claire’s university, anxious about bad publicity, wishes her to take a leave; her neighbors cannot meet her eye; and the boy’s family sues for wrongful death. In the midst of her trauma, Claire finds two bright spots: her estranged husband’s unexpectedly loyal response to her grief; and her own newfound curiosity about the last days of van Gogh’s life when he painted Crows Over the Wheatfield. Braver’s novel moves between Claire’s struggle to cope with the disintegration of her personal life in the wake of the accident, and a research trip to France during which she discovers new information about van Gogh. In both narratives, Claire is attuned to the significance of single moments in which the world and our perceptions of it can change in momentous and irreversible ways. Despite the care with which the author alternates between Claire’s scholarly and personal trials, a strategy echoed in the novel’s switching between passages about van Gogh’s trauma and Claire’s suffering, the juxtaposition can be both facile and jarring. The self-discoveries Claire makes in France have a formulaic, scripted quality that makes Claire unlikable and unbelievable. Prone to uttering sophomoric platitudes about art and life, Claire seems more concussed than introspective after her accident, a matter not helped by the stilted quality of the characters’ dialogue.
Braver (Divine Sarah, 2004) makes an ambitious attempt to examine how accidents harden into fate and tries to coordinate too many stories, yet he has no central character strong enough to synthesize them.Pub Date: June 1, 2006
ISBN: 0-06-078232-3
Page Count: 288
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2006
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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