by Adam Grant & Allison Sweet Grant ; illustrated by Diana Schoenbrun ‧ RELEASE DATE: Oct. 1, 2019
Return to sender.
A mysterious box seeks a giver.
After parachuting from the sky, an unaddressed cardboard box wonders, “Who’s going to open me?” Sporting spindly arms and legs, the cheerful box slips into homes and crashes a science camp, surprising—then ditching—assorted children, most of whom seem to be expecting deliveries. Its corny parting puns, such as “Piece out!” to a child anticipating a new puzzle or “That’s not my beat” to a drummer eager to replace broken drumsticks, will likely fly over young readers’ heads. After escaping bickering twins, a dog, and a clamor of kids claiming their tutu, tennis racket, etc., the box leaps into the arms of its dream recipient: a child who’s sure it contains “something wonderful” and who’d “love to give [it] to”…someone, despite its unknown contents. “Who would YOU give this box to?” asks the last line. Despite good intentions, mixed messages and a cleverly boxlike but awkwardly reverse-opening cover make this lesson in generosity difficult to unpack. Their dangerously naïve acceptance of a suddenly appearing, unmarked box aside, it’s fair for kids expecting packages to assume that the box is theirs, and the box’s teasing exits risk contradicting the kindness it hopes to impart. Sadly, Schoenbrun’s spot cartoon illustrations don’t disguise the purposive plot or flat speech-balloon dialogue. Most kids present as kids of color. Three present white; one uses a wheelchair.
Return to sender. (Picture book. 4-8)Pub Date: Oct. 1, 2019
ISBN: 978-1-9848-1546-0
Page Count: 40
Publisher: Dial Books
Review Posted Online: Aug. 27, 2019
Kirkus Reviews Issue: Sept. 15, 2019
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by Allison Sweet Grant & Adam Grant ; illustrated by Merrilee Liddiard
by Alexandra Penfold ; illustrated by Suzanne Kaufman ‧ RELEASE DATE: March 2, 2021
The story’s slight but allows kids to practice identifying and dealing with their own big feelings.
The diverse group of kids from All Are Welcome (2018) this time gathers in a vacant lot with tools in hand to clear the debris and make something new. But therein lies the rub: What should the something new be? While the exact nature of the disagreement is unfortunately not made clear to readers, the big feelings that the children exhibit are very clear (and for readers who need practice reading facial clues, there’s a labeled chart of 15 in the frontmatter). This book’s refrain is “How can I help? / What can we do?” And the answers, spread over several pages and not spelled out in so many words but rather shown in the illustrations, are: talk it through, compromise, and see things from another perspective. As a guide for dealing with feelings and problem-solving, the book is a bit slim and lacks a solid story to hook readers. But, as with its predecessor, its strength is again the diversity on display in its pages. There’s a rainbow of skin tones and hair colors as well as abundant variation in hair texture, several children exhibit visible disabilities, including one child who uses a wheelchair, and there are markers of religious and cultural diversity. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at 29.6% of actual size.)
The story’s slight but allows kids to practice identifying and dealing with their own big feelings. (Picture book. 4-8)Pub Date: March 2, 2021
ISBN: 978-0-525-57974-8
Page Count: 42
Publisher: Knopf
Review Posted Online: Dec. 24, 2020
Kirkus Reviews Issue: Jan. 15, 2021
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by Alexandra Penfold ; illustrated by Suzanne Kaufman
BOOK REVIEW
by Alexandra Penfold ; illustrated by Suzanne Kaufman
BOOK REVIEW
by Alexandra Penfold ; illustrated by Suzanne Kaufman
by Jory John ; illustrated by Pete Oswald ‧ RELEASE DATE: Nov. 7, 2023
From curds to riches, from meltdown to uplift—this multicourse romp delivers.
A winning wheel of cheddar with braggadocio to match narrates a tale of comeuppance and redemption.
From humble beginnings among kitchen curds living “quiet lives of pasteurization,” the Big Cheese longs to be the best and builds success and renown based on proven skills and dependable results: “I stuck to the things I was good at.” When newcomer Wedge moves to the village of Curds-on-Whey, the Cheese’s star status wobbles and falls. Turns out that quiet, modest Wedge is also multitalented. At the annual Cheese-cathlon, Wedge bests six-time winner Cheese in every event, from the footrace and chess to hat making and bread buttering. A disappointed Cheese throws a full-blown tantrum before arriving at a moment of truth: Self-calming, conscious breathing permits deep relief that losing—even badly—does not result in disaster. A debrief with Wedge “that wasn’t all about me” leads to further realizations: Losing builds empathy for others; obsession with winning obscures “the joy of participating.” The chastened cheddar learns to reserve bragging for lifting up friends, because anyone can be the Big Cheese. More didactic and less pun-rich than previous entries in the Food Group series, this outing nevertheless couples a cheerful refrain with pithy life lessons that hit home. Oswald’s detailed, comical illustrations continue to provide laughs, including a spot with Cheese onstage doing a “CHED” talk.
From curds to riches, from meltdown to uplift—this multicourse romp delivers. (Picture book. 4-8)Pub Date: Nov. 7, 2023
ISBN: 9780063329508
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
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by Jory John ; illustrated by Pete Oswald
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by Jory John ; illustrated by Olivier Tallec
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by Jory John ; illustrated by Erin Kraan
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