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ME AND MEOW

Childlike, boldly colored illustrations follow the characters through their daily routine. Minimal backgrounds include just...

Gudeon’s picture-book debut is high on style and charm as it introduces Me and Meow, a little girl and her cat, in a beginning-reader–friendly tale.

Childlike, boldly colored illustrations follow the characters through their daily routine. Minimal backgrounds include just a few items rendered in naïve style: A cheery sun establishes the initial morning setting; a window with the sunrise outside indicates an interior breakfast scene; then a house and tree show that they are playing outside. This echoes the text’s control and repetition, inviting new readers to decode the story with support from pictorial cues. Me and Meow engage in “Stump jumping. / Leaf leaping. / Slip sliding. / Hide hiding,” and then the sneaky kitty stays hidden and Me goes off to find it. In her haste, she has a tricycle accident, and a brilliant use of facing pages has her saying “I will find my Me… / …ow!” across the gutter; the “ow!” illustration depicts the tearful little girl, her trike upside down beside her. Meow emerges to comfort her, and the two carry on with their day of play until it’s time for “Dream Dreaming. / Night night, Me. / Night night, Meow.”

Pub Date: Sept. 1, 2011

ISBN: 978-0-06-199821-8

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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ANIMAL SHAPES

Innovative and thoroughly enjoyable.

You think you know shapes? Animals? Blend them together, and you might see them both a little differently!

What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?

Innovative and thoroughly enjoyable. (Board book. 2-4)

Pub Date: March 27, 2018

ISBN: 978-1-4998-0534-5

Page Count: 40

Publisher: Little Bee Books

Review Posted Online: May 13, 2018

Kirkus Reviews Issue: July 1, 2018

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STOP! BOT!

The visual details invite interaction, making it a good choice for storytime or solo inspection.

It’s a quiet day, until….

“I have a bot!” An excited child’s happiness is short-lived, for the remote-controlled toy escapes its wireless tether and begins an ascent up the side of a skyscraper. The building’s doorman launches a race to recover the bot, and soon everyone wants to help. Attempts to retrieve the bot, which is rendered as a red rectangle with a propeller, arms, and a rudimentary face, go from the mundanity of a broom to the absurd—a bright orange beehive hairdo and a person-sized Venus’ flytrap are just some of the silly implements the building’s occupants use to try to rein in the bot. Each double-page spread reveals another level of the building—and further visual hijinks—as the bot makes its way to the top, where an unexpected hero waits (keep an eye out for falling bananas). The tall, narrow trim size echoes the shape of the skyscraper, providing a sense of height as the bot rises. Text is minimal; short declarations in tidy black dialogue bubbles with white courier-style typeface leave the primary-colored, blocky art to effectively carry the story. Facial expressions—both human and bot—are comically spot-on. The bot-owning child has light skin, and there are several people of color among those trying to rescue the bot. One person wears a kufi.

The visual details invite interaction, making it a good choice for storytime or solo inspection. (Picture book. 2-6)

Pub Date: July 23, 2019

ISBN: 978-0-425-28881-8

Page Count: 40

Publisher: Viking

Review Posted Online: March 30, 2019

Kirkus Reviews Issue: April 15, 2019

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