An engaging thriller with an academic setting that readers wouldn’t want to be caught dead in.
A debut novel proves that college can literally be murder.
Of course, Nowhere Island University isn’t your average institution of higher learning. Nathan Jacobs, Sherman’s protagonist, learns this very quickly. NIU is actually a prep school for mercenaries, drawing students from terrorist and paramilitary groups around the globe. So how did Nate, admittedly adrift when it comes to his life plans, end up here? Nate got recruited at his high school Career Day by the shadowy spy agency UNIX and was sent in undercover to investigate NIU. Joining him is John Marshall, another UNIX plant. Nate fears that he’s in over his head but soon shows that he can hold his own alongside more experienced students. But he’s hamstrung by having a moral compass: “There are people who will hurt the people I love, maybe because of irrational hatred, maybe because they think it will make a point or profit, or maybe because they’re the kind of sicko who enjoys it.” He’s inducted into a secret society comprising seven of the school’s fiercest fighters. While all of the students have to watch their backs, Nate discovers that the biggest obstacle is the curriculum, which produces a high fatality rate. So it becomes a never-ending struggle for Nate and his new friends to outlast the sadistic program set up by the school masters. Sherman has created a crisply paced thriller culled from a series of his online postings over two years. Remarkably, he has smoothly married together these posts into a work that should capably hold readers’ attention. It is a visceral novel, as he recounts in graphic detail the grisly, life-and-death struggles of the NIU students, a majority of whom don’t survive. In his author’s note, Sherman admits to being a video game fan, and this tale feels like one, with a similarly high body count. But characterization is a shortcoming, as, other than Nate, the players aren’t three-dimensional enough for readers to become invested in them. The reasons most of these students willingly inject themselves into this setting aren’t made clear. Still, it’s possible to ride along on the frenetic action and enjoy the violent world that the author has developed.
An engaging thriller with an academic setting that readers wouldn’t want to be caught dead in.Pub Date: Sept. 29, 2017
ISBN: 978-1-5450-1823-1
Page Count: 238
Publisher: CreateSpace
Review Posted Online: Jan. 26, 2018
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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