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AT THE END OF YOUR TETHER

From the Spectacle-Smith series , Vol. 1

A thought-provoking, heart-rending science fiction/romance mashup.

Young love across the multiverse.

In mid-1990s Texas, Ludo Carre, the son of a mechanic father and military police mother, meets Arlo Quinones at a barbecue. The chemistry is immediate, and the two young teens bond over a video game. As they get older, they begin dating until Ludo’s family is transferred to another base a few hours away. Like many relationships, theirs does not stand the challenge of distance. Years later, Ludo’s family returns to Arlo’s base, and he learns that she is missing. Desperate, he begins to search for her. Ludo learns that Arlo has become unmoored from time and can exist simultaneously within different timelines. As he struggles to understand, he discovers that maybe the only way to be with her is to let her go. With cinematically styled, full-color illustrations, this offering deftly captures the angst of adolescent love and the force and volatility of teenage emotions. While readers may easily develop a visceral connection to Arlo and Ludo, certain details are conspicuously absent, such as why Arlo can time-hop (although a possible military connection is hinted). As the narrative jumps among timelines, sometimes there are explicit cues of a temporal shift, other times not, demanding a close reading. Quibbles aside, this is a fun, fast-paced ride that should leave its audience ruminating about time, coincidence, and love. Ludo presents white; Arlo is cued as Latinx.

A thought-provoking, heart-rending science fiction/romance mashup. (Graphic science fiction. 13-adult)

Pub Date: Feb. 11, 2020

ISBN: 978-1-62010-731-7

Page Count: 136

Publisher: Oni Press

Review Posted Online: Feb. 16, 2020

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PEMMICAN WARS

A GIRL CALLED ECHO, VOL. I

A sparse, beautifully drawn story about a teen discovering her heritage.

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In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.

Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.

A sparse, beautifully drawn story about a teen discovering her heritage.

Pub Date: March 15, 2018

ISBN: 978-1-55379-678-7

Page Count: 48

Publisher: HighWater Press

Review Posted Online: Feb. 28, 2018

Kirkus Reviews Issue: May 1, 2018

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FLIP

Flipping awesome.

After a wish goes wrong, a girl and her crush must figure out how to break a body-switching curse.

Chi-Chi Ekeh feels invisible. Like her previous crushes, hot varsity swimmer Flip Henderson—yet another rich white boy at her Texas boarding school—seems unaware of her existence. With only weeks until graduation, Nigerian American Chi-Chi’s friends Esther and Yesenia dare her to ask Flip to Senior Festival. But Flip accidentally shows her promposal video to the whole class—and immediately turns her down. Embarrassed, Chi-Chi flees, but her innocent remark—“I just wish Flip Henderson liked me”—has unexpected consequences. After falling and hitting her head, Chi-Chi wakes up in Flip’s body, and he in hers. Freaked out beyond belief and regularly switching bodies, Chi-Chi and Flip work with Esther and Yesenia to break the curse. Meanwhile, forced to see herself through someone else’s eyes, Chi-Chi must confront uncomfortable feelings. There’s much to love about this book. The fully realized and sympathetic characters, sincere and humorous development of friendships, and protagonist’s relatable and bittersweet emotional journey will keep readers engaged, eager to reach the resolution. Ukazu carefully balances tough topics like self-hatred, depression, and suicidal ideation with funny feel-good moments, deftly rendered in her characteristically expressive style. The dynamic and engaging illustrations bring to life a heartwarming story of self-love, acceptance, and true connection.

Flipping awesome. (author’s note) (Graphic fiction. 14-18)

Pub Date: Sept. 23, 2025

ISBN: 9781250179517

Page Count: 320

Publisher: First Second

Review Posted Online: June 13, 2025

Kirkus Reviews Issue: July 15, 2025

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