SENSATION MACHINES

In the midst of a potential social revolution, a husband and wife on the downside of a bad marriage find themselves at odds.

Here we find a perhaps-prescient tale of murder and deceit set during a political upheaval in the near-future United States. There are hints of events to come, with drone deliveries and social uprisings as well as a critical plot involving the potential passing of a bill authorizing a universal basic income for all Americans. The two critical players are Michael Mixner, a Wall Street trader fallen dangerously into debt, and his wife, Wendy, a marketing guru soldiering on despite PTSD from a recent stillbirth. This marriage between a drug-addled former hip-hop artist–turned-trader and an anxiety-ridden marketing whiz is crumbling, but so is the community around them. The pivotal event comes when Michael’s best friend, a wealthy gay activist named Ricky, is shot to death after violent protestors interrupt the party of some wealthy elites. It’s not a mystery—Wilson calls out the killer in plain sight but wraps the drama in a web of familial deceit, societal dismay, and economic inequality that renders no one innocent. The nexus is Michael’s plot to get rich via a scheme involving a cryptocurrency in a virtual reality game that just happens to be the brainchild of his wife’s new client. Wendy has been hired to launch a stealth campaign dubbed Project Pinky, designed to derail the UBI bill. The narrative is dripping with drama, not least due to Wendy’s unapologetic seizure of her own fate in the wake of Michael’s recklessness. Wilson creates a deft juxtaposition of contemporary American classes on par with Richard Price's Lush Life, but whether readers approach it as a flawed crime drama or a satire of American inequality, they may find that implausible plot threads and unanswered questions leave them dissatisfied with the experience.

An ambitious but erratic portrayal of a society gone wrong with no resolution in sight.