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CANDY PINK

A simplistic, well-meaning tale.

First published in Italy 40 years ago, this picture book challenges sexism with a story about an anthropomorphic elephant who subverts her community’s notions about what girls should look like and how they should behave.

The titular phrase “candy pink” refers to the skin color of female elephants in this story, which comes from their diet of flowers. A metaphorical introduction of socially constructed gender norms finds boy elephants allowed to roam free and eat what they choose, while girls remain in a fenced garden. Daisy is “slightly different from the other girl elephants,” and even though she eats “peonies and anemones” like the other girls, her skin remains gray. This greatly displeases her parents, and it also pokes holes in constructivist ideology—why don’t social pressures and norms affect her the same way they do others? Is there some essential difference in her? Ultimately, Daisy’s parents give up and abandon her to her own devices. She sheds her pink, girly clothing and runs free, eating and doing as she wishes. The other girls are initially “frightened…worried…[and] bewildered,” but then they become jealous and leave the enclosure. Curiously, there are no ramifications for this subversive behavior, and, liberated, they all turn gray. Cartoonish illustrations are largely redundant of the message-driven text, though other animals appear as observers to the elephants’ story.

A simplistic, well-meaning tale. (Picture book. 4-7)

Pub Date: Nov. 8, 2016

ISBN: 978-84-944318-9-0

Page Count: 40

Publisher: NubeOcho

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 15, 2016

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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