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DIVE

PLB 0-7868-2389-5 From Griffin (The Other Shepards, 1998, etc.), a poignant, perceptive tale of a teenager on a self-destructive spiral, seen through the eyes of his younger, more grounded stepbrother. Written as a monologue Ben addresses to his older stepbrother Dustin (“I never met anyone with less need for people than you, but not needing isn’t the same as not touching”), the story develops around the last time the two boys meet, in a hospital room after Dustin’s latest semi-intentional accident, and concludes with a memorial after Dustin ends his life. Through Ben’s second-person narration, readers learn how Dustin never recovered from his mother’s death from cancer, and how he behaved with unalloyed hostility when his father, Lyle, met and married Gina, mother of Ben. Gina, ever-restless and irresponsible, eventually moves on, and Dustin is the one who follows her across the country, while Ben stays behind, more comfortable with Lyle’s roots and boundaries. Ben comes off as a sharp, strong-minded observer, aware of what makes the people around him tick, and with a gift for pinpointing the traits and attitudes on which relationships are founded or founder. Thoughtful readers will appreciate his insight, enjoy the ringside seat as restrained, rational Lyle meets Mallory, a flamboyant, take-charge TV personality, and come to understand both the dangers and the appeal of Dustin’s choices. (Fiction. 11-13)

Pub Date: Oct. 1, 1999

ISBN: 0-7868-0440-8

Page Count: 159

Publisher: Hyperion

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 1, 1999

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OY, JOY!

A breezy middle-school romance from Frank (Will You Be My Brussels Sprout?, 1996, etc.). Not only does the level of domestic tension rise rapidly after her mother’s Uncle Max, recovering from a stroke, moves into the cramped Cooper apartment, but Joy suddenly finds herself on the outs with her best friend Maple, who has become joined at the hip to amateur musician Wade. Joy makes a new connection, too, due to some surreptitious matchmaking by Uncle Max: enter a friendly, eminently promising older schoolmate, also named Max. While this budding relationship is growing into full-scale delirium, Joy returns the favor by encouraging Uncle Max and his garrulous neighbor, Rose, to spend time together; by the end, Uncle Max follows Rose to her winter quarters in Florida, and offers to trade his roomy apartment for theirs. Cast with likable, well-meaning characters, driven more by cheers than tears, this tidily resolved New York City tale will please Frank’s fans, and send newcomers to her earlier books. (Fiction. 11-13)

Pub Date: Oct. 1, 1999

ISBN: 0-7894-2538-6

Page Count: 277

Publisher: DK Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1999

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DRAWING LESSONS

A teenager suffers through her parents’ separation in this smoothly stylized, if conventional, debut. Aurora’s world comes crashing down when she catches her artist father nuzzling a model. Rory, a talented artist herself, furiously burns her sketchbook; suddenly he’s gone, leaving Rory and her mother wallowing in teary guilt, sending back a letter with lines that infuriate: “one day you’ll understand,” and “someday, when you’re older . . . “ Rory stops all painting and drawing, and curls up around the hurt, stonewalling even her best friend, Nicky. Rory’s almost continual awareness of light and color gives her a convincing artist’s voice, and Mack sets her back on her feet in the end, with the help of time, Nicky’s loyalty, and a startling gift from her father: her charred sketchbook, rescued and repaired both as a sign of his love, and to remind her to believe in herself. Psychological insight here is but skin deep, and the characters play it pretty close to type, but readers may be affected by the story’s overall emotional intensity. (Fiction. 11-13)

Pub Date: March 1, 2000

ISBN: 0-439-11202-8

Page Count: 168

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1999

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