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WITCH TWINS

Two novice Philadelphia witches discover both that magic is harder to control than it seems and that they’re not as inseparable as they supposed, in this lighthearted family story with a twist, from the author of Dive (1999). Outwardly identical, inwardly “as different as the sun and moon, peaches and peanut butter, or long division and poetry,” Claire and Luna Bundkin “love-love-love” many of the same things, but “hate-hate-hate” the news that their father has proposed to brassy Houston fashion designer Fluffy Demarkle. As the two search for appropriate spanners to throw into the works, subplots bubble up: the twins come up for their first Witch Tests (dubbed “GST’s”); a bobbled love spell gets a bully off older brother Justin’s back in hilariously effective fashion; and for the first time in their school careers, Claire and Luna are placed into separate classes—a separation that turns out to be considerably less traumatic than expected. With deceptive offhandedness, Griffin speeds the tale along to the climactic wedding, which the repentant twins manage to rescue from the results of their own spell-casting in the nick of time, earning in the process their witch’s stars and a pair of kitten familiars to boot. Preteen readers will “love-love-love” watching these seemingly ordinary 11-year-olds in action. (Fiction. 10-12)

Pub Date: July 1, 2001

ISBN: 0-7868-0739-3

Page Count: 144

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2001

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THE BAD BEGINNING

The Baudelaire children—Violet, 14, Klaus, 12, and baby Sunny—are exceedingly ill-fated; Snicket extracts both humor and horror from their situation, as he gleefully puts them through one terrible ordeal after another. After receiving the news that their parents died in a fire, the three hapless orphans are delivered into the care of Count Olaf, who “is either a third cousin four times removed, or a fourth cousin three times removed.” The villainous Count Olaf is morally depraved and generally mean, and only takes in the downtrodden yet valiant children so that he can figure out a way to separate them from their considerable inheritance. The youngsters are able to escape his clutches at the end, but since this is the first installment in A Series of Unfortunate Events, there will be more ghastly doings. Written with old-fashioned flair, this fast-paced book is not for the squeamish: the Baudelaire children are truly sympathetic characters who encounter a multitude of distressing situations. Those who enjoy a little poison in their porridge will find it wicked good fun. (b&w illustrations, not seen) (Fiction. 10-12)

Pub Date: Sept. 30, 1999

ISBN: 0-06-440766-7

Page Count: 162

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1999

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EXILE

From the Keeper of the Lost Cities series , Vol. 2

However tried and true, the Harry Potter–esque elements and set pieces don’t keep this cumbersome coming-of-age tale afloat,...

Full-blown middle-volume-itis leaves this continuation of the tale of a teenage elf who has been genetically modified for so-far undisclosed purposes dead in the water.

As the page count burgeons, significant plot developments slow to a trickle. Thirteen-year-old Sophie manifests yet more magical powers while going head-to-head with hostile members of the Lost Cities Council and her own adoptive elvin father, Grady, over whether the clandestine Black Swan cabal, her apparent creators and (in the previous episode) kidnappers, are allies or enemies. Messenger tries to lighten the tone by dressing Sophie and her classmates at the Hogwarts-ian Foxfire Academy as mastodons for a silly opening ceremony and by having her care for an alicorn—a winged unicorn so magnificent that even its poop sparkles. It’s not enough; two sad memorial services, a trip to a dreary underground prison, a rash of adult characters succumbing to mental breakdowns and a frequently weepy protagonist who is increasingly shunned as “the girl who was taken” give the tale a soggy texture. Also, despite several cryptic clues and a late attack by hooded figures, neither the identity nor the agenda of the Black Swan comes closer to being revealed.

However tried and true, the Harry Potter–esque elements and set pieces don’t keep this cumbersome coming-of-age tale afloat, much less under way. (Fantasy 10-12)

Pub Date: Oct. 1, 2013

ISBN: 978-1-4424-4596-3

Page Count: 576

Publisher: Simon Pulse/Simon & Schuster

Review Posted Online: July 16, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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