Fifteen noted YA authors offer powerful slice-of-life reflections about immigration and its emotional complexities.
Alsaid edits an extraordinary anthology featuring exquisite writing and offering a genuinely diverse collection on the richly layered topic of immigration. International in scope, the cross-section of voices is refreshingly diverse while also unified by emotional vulnerability. Nafiza Azad sets the tone in the opening story, “All the Colors of Goodbye,” through the grieving voice of a 17-year-old Indian Fijian girl who has been told she must emigrate unexpectedly following a coup, though her older brother must stay because officials in their new country deem him too old to be a dependent. In Misa Sugiura’s story, “Where I’m From,” Eriko reveals in painful snapshots the omnipresent otherness she feels as the child of Japanese immigrants to America, both as a child and later a college freshman in the U.S.—and also when visiting Japan with her mother. The stories reveal how immigration policies not only affect families, but also friendships, as in Lilliam Rivera’s “Salvation and the Sea,” in which a Guatemalan/Puerto Rican best friend duo on a road trip in California undergo a polarizing experience at a random immigration checkpoint. In the closing story about Jewish émigrés to Argentina, Alsaid pays homage to the ancestors who paved the way for our very existence. The overall result is moving and deeply relevant to our contemporary world.
A must-have antidote to xenophobia and a much-needed, compassionate mirror for many. (Anthology. 13-18)Pub Date: Oct. 13, 2020
ISBN: 978-1-335-14649-6
Page Count: 256
Publisher: Inkyard Press
Review Posted Online: Aug. 4, 2020
Kirkus Reviews Issue: Aug. 15, 2020
Categories: TEENS & YOUNG ADULT SOCIAL THEMES | TEENS & YOUNG ADULT FICTION
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Riveting, brutal and beautifully told.
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A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 17, 2014
Kirkus Reviews Issue: April 1, 2014
Categories: TEENS & YOUNG ADULT FAMILY | TEENS & YOUNG ADULT SOCIAL THEMES
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PROFILES
Engrossing, contemplative, and as heart-wrenching as the title promises.
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What would you do with one day left to live?
In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.
Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).Pub Date: Sept. 5, 2017
ISBN: 978-0-06-245779-0
Page Count: 384
Publisher: HarperTeen
Review Posted Online: June 5, 2017
Kirkus Reviews Issue: June 15, 2017
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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