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THE HENNA WARS

Impossible to put down.

Bangladeshi Irish teen Nishat is obsessed with winning her school’s business competition—which entails outperforming the girl she has a crush on.

Nishat is tired of hiding the fact that she is lesbian. But when she comes out to her parents, they respond with cold silence. Devastated, Nishat struggles to cope by focusing on winning the entrepreneurial challenge and by trying to ignore her romantic feelings for Flávia, a biracial (Black Brazilian/White Irish) girl Nishat hasn’t seen since primary school. Nishat enters with a proposal for a business offering mehndi, or henna tattoos, a traditional Bangladeshi art form Nishat learned from her grandmother. Nishat is thrilled about showcasing her beloved Bengali culture—until Flávia decides to do a henna business as well, a choice that Nishat feels smacks of cultural appropriation. Worse, now Nishat isn’t sure if Flávia’s overtures are signs of genuine romantic interest or a tactic to sabotage Nishat’s business. With her ultrasupportive sister by her side, Nishat fights to be her truest, most visible self. Debut author Jaigirdar seamlessly weaves issues of racism and homophobia into a fast-moving plot peopled with richly drawn characters. Each conflict is resolved authentically and naturally, moving the story along at the perfect speed. The scenes between Flávia and Nishat simmer, and their mesmerizing relationship unfolds with just the right amount of complexity. Most satisfyingly, each character gets the ending she deserves.

Impossible to put down. (Romance. 13-18)

Pub Date: May 12, 2020

ISBN: 978-1-62414-9689

Page Count: 400

Publisher: Page Street

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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GIRL IN PIECES

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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  • New York Times Bestseller

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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BINDING 13

From the Boys of Tommen series , Vol. 1

A troubling depiction of an unhealthy relationship.

A battered girl and an injured rugby star spark up an ill-advised romance at an Irish secondary school.

Beautiful, waiflike, 15-year-old Shannon has lived her entire life in Ballylaggin. Alternately bullied at school and beaten by her ne’er-do-well father, she’s hopeful for a fresh start at Tommen, a private school. Seventeen-year-old Johnny, who has a hair-trigger temper and a severe groin injury, is used to Dublin’s elite-level rugby but, since his family’s move to County Cork, is now stuck captaining Tommen’s middling team. When Johnny angrily kicks a ball and knocks Shannon unconscious (“a soft female groan came from her lips”), a tentative relationship is born. As the two grow closer, Johnny’s past and Shannon’s present become serious obstacles to their budding love, threatening Shannon’s safety. Shannon’s portrayal feels infantilized (“I looked down at the tiny little female under my arm”), while Johnny comes across as borderline obsessive (“I knew I shouldn’t be touching her, but how the hell could I not?”). Uneven pacing and choppy sentences lead to a sudden climax and an unsatisfyingly abrupt ending. Repetitive descriptions, abundant and misogynistic dialogue (Johnny, to his best friend: “who’s the bitch with a vagina now?”), and graphic violence also weigh down this lengthy tome (considerably trimmed down from its original, self-published length). The cast of lively, well-developed supporting characters, especially Johnny’s best friend and Shannon’s protective older brother, is a bright spot. Major characters read white.

A troubling depiction of an unhealthy relationship. (author’s note, pronunciations, glossary, song moments, playlists) (Romance. 16-18)

Pub Date: Nov. 28, 2023

ISBN: 9781728299945

Page Count: 626

Publisher: Bloom Books

Review Posted Online: Oct. 21, 2023

Kirkus Reviews Issue: Nov. 15, 2023

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