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A CLEAN DEATH

An engaging tale about a banker’s struggles to solve a family mystery.

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A debut novel revolves around one man’s attempts to uncover the circumstances surrounding his father’s murder in a violence-torn Third World country.

Like some strange adult fairy tale, Verheul’s book takes place in an unnamed tropical country filled with such mythical-sounding municipalities as City by the Water. It is a land peopled by characters like Captain Christmas, V6, Skipper Boutique, and Colonel Neptune. When Johan’s banker son, Oliver, first arrives, he finds everyone to be friendly and helpful; they seem genuinely sad about his father’s death. But as time passes, Oliver realizes that they all have their own motives; everyone wants money from him; and no one can or wants to really explain what happened. Lost in the exigencies of protocol, politics, and public relations, Oliver tries to follow the money trail. He learns his father had an unusually large amount of money in the bank. He discovers that Johan was the lead man on the Disarmament and Stabilization Program, a scheme to trade farm implements and other domestic items to the terrorist followers of Christmas in exchange for turning in their guns. Oliver also flirts with a woman who may or may not have been involved romantically with his father. Meanwhile in the U.S., Davey, an unemployed gun fanatic, learns about the DSP. Convinced this is a plot to take away everyone’s guns, Davey heads to the unnamed country on the dime of a barroom of fellow gun enthusiasts to convince Christmas he should keep his weapons. In this story that is part mystery, part thriller, and part introspective examination of personal values, Verheul has a real eye for how money and corruption affect the day-to-day life in a Third World nation. The author establishes believable characters, humor, and pathos in his well-paced tale through concise and efficient writing (“Christmas often wondered how the army had never been able to find them. They had tried, though. They flew helicopters over the forest—that is, if they could pay for fuel—and sent out patrols to find their base. But the forest had become their ally”). Verheul also manages to bring the distinctive cast of characters to several individual and credible epiphanies. This lively and enjoyable read should appeal to those who prefer their action thrillers with a literary twist and those who take theirs neat.

An engaging tale about a banker’s struggles to solve a family mystery.

Pub Date: N/A

ISBN: 978-0-692-04769-9

Page Count: 320

Publisher: CreateSpace

Review Posted Online: Dec. 15, 2017

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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