A savagely satirical take on the consequences of repressive doctrine and the power of collective action.
A dissident is condemned to dangerous work on a distant world containing mysterious ruins from a vanished alien society.
Professor Arton Daghdev’s xenobiology research violates the orthodox principles of the governing Mandate, which dictates that science must support the idea that humans are the pinnacle of all evolution, everywhere. He’s also been secretly dabbling in more direct revolution—or at least, talking about it—but the authorities don’t know that. For his academic trespasses, he’s shipped off to serve as convict labor on the planet Kiln, where ancient ruins suggest there was once an intelligent race. His job is to find the remains of this race and furnish evidence of just how much like humanity it was. Instead, he discovers a world full of metaspecies—communities of symbiotes who have united into single organisms—and a sullen population of convicts who cannot trust each other enough to pull off a successful uprising against the sadistic commandant and brutal guards. The symbiotes of Kiln seem anxious to add humans to their collection; unfortunately, such attempts usually lead to madness and/or death for the human. But a catastrophic encounter with one such group of life-forms provides Arton and his fellows with both insight into the race of the builders and a possible way of winning liberation. The biological puzzle of life on Kiln depicted here is fascinating, reminiscent of biologist/SF author Joan Slonczewski’s The Children Star (1998). The biological aspect of the story is a tool to support Tchaikovsky’s primary message, which is a vivid illustration of how suspicion can undermine both an authoritarian regime and any potential resistance to that regime. In this novel, a lack of honesty and poor communication can literally kill. But at the same time, all talk and no action is no path to success, either.
A savagely satirical take on the consequences of repressive doctrine and the power of collective action.Pub Date: Sept. 17, 2024
ISBN: 9780316578974
Page Count: 416
Publisher: Orbit
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.
When a bunch of corporate assholes mark their planet for destruction, a garage band of colonists must defend their home world with the power of rock.
Slightly sidestepping his frenetic litRPG—literary role-playing game—doorstoppers, here Dinniman takes on capitalism, propaganda, xenophobia, and violence as entertainment. Thankfully for readers, it’s all wrapped in the usual profane, adolescent humor, and SF readers will have a ball. A couple of hundred years after they left Earth, the inhabitants of the interstellar colony of New Sonora weren’t expecting much in the way of new threats, especially after a mysterious illness killed almost everyone between the ages of 30 and 60. That disaster left only the young and the old on the populated planet, where farming is enabled by highly accelerated AI and people are generally cool with each other. But when drummer Oliver Lewis stumbles across a foul-mouthed killer mech piloted by a child, he realizes that something’s definitely fishy. Earth, it seems, has classified the New Sonorans as non-human and scheduled their destruction as a paid, five-day combat game. Apex Industries, led by lead mercenary Eli Opel, has reverse-engineered Ender’s Game and is turning loose its players with real bullets and bombs on the population of New Sonora. The resistance is a weird bunch, led by proto-slacker Oliver; his little sister, Lulu; and his ex-girlfriend, documentary filmmaker and burgeoning revolutionary Rosita Zapatero, as well as the other members of Oliver’s band, the Rhythm Mafia. Thankfully, they also have Roger, the last functioning AI on the planet, though Oliver’s grandfather permanently programmed it to nannybot mode as a dying joke. Call the book overlong—the battle scenes often feel like watching someone play a videogame—but the humor and the execution are cutting without being mean and there’s almost always a point.
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.Pub Date: Feb. 10, 2026
ISBN: 9780593820308
Page Count: 448
Publisher: Ace/Berkley
Review Posted Online: Dec. 12, 2025
Kirkus Reviews Issue: Jan. 15, 2026
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