by Adrian Tinniswood ‧ RELEASE DATE: Jan. 5, 2004
Covers the Great Fire like a blanket. (16 pp. b&w illustrations, not seen)
A robust account from Christopher Wren biographer Tinniswood (His Invention So Fertile, 2002) of the fire that reduced much of Wren’s London to ashes in 1666.
In the mid-17th century it was the third largest city in the Western world (after Constantinople and Paris), a swarm of 300,000 souls, a hub of commerce, and a scuzzy place if there ever was one: “noisy, filthy, and smelly . . . butchers’ offal lay rotting in the narrow streets, and human waste blocked open drains.” A little fire clearance might not have been such a bad thing for London, except that 13,200 dwellings went up in smoke, more than 80 percent of the old, walled city. Coming on the heels of a terrible plague, the year 1666 (“an Apocalyptical and mysterious number,” noted one contemporary astrologer) indeed brought fire, if not the stink of brimstone. Tinniswood’s recounting of the conflagration is very busy, though comfortably so. He sweeps from the political stage to the mob in the streets, analyzes social contracts and building styles, airs conspiracy theories and examines local xenophobia, as he follows the fire from its start in a baker’s shop, a flame so small the Lord Mayor declared “a woman could piss it out,” through its spread via high winds to quarters far and wide. The author does particularly well in unraveling the many suspicions that flew in the fire’s wake: it was Dutch revenge for the English bonfire at West-Terschelling, people speculated, or a Popish plot, or the work of the Almighty pointing a finger at King Charles the Dissolute. Tinniswood is also adroit in drawing a sensible picture of the reconstruction of London, delineating its many players and their shifting intents within the broad context of the Rebuilding Act, the Fire Court, and the nasty eruptions of religious intolerance that kept cropping up like spot fires after the blaze.
Covers the Great Fire like a blanket. (16 pp. b&w illustrations, not seen)Pub Date: Jan. 5, 2004
ISBN: 1-57322-244-5
Page Count: 352
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2003
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by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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BOOK TO SCREEN
by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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by Albert Camus ; translated by Justin O'Brien & Sandra Smith
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by Albert Camus ; translated by Ellen Conroy Kennedy & Justin O'Brien
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by Albert Camus translated by Arthur Goldhammer edited by Alice Kaplan
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