The dual focus on friendship and diversity makes this choice a winner.
Musa shares Eid with his new kindergarten classroom and learns about other students’ favorite days of the year as he makes friends with children from different backgrounds.
At the beginning of the school year, teacher Ms. Gupta, who wears a bindi, tells the children the faces in this room will become their closest friends. Brown-skinned Musa can’t imagine it. But when the teacher says that everyone will share their favorite day of the year so they can all celebrate it together, Musa is elated. He shares Eid with his classmates. His mother comes in to help, wearing a hijab, and they serve the class foods from various cultures within Islam. “Everyone could see why Eid was Musa’s favorite.” When the other students share their favorite days, they are similarly received by the class: Mo shares Rosh Hashanah, with help from his family, two men wearing kippot who share his light skin and brown hair and a brown-skinned child with black hair; Moisés shares Christmas and Las Posadas; and Kevin shares Pi Day. At the end of the year, they have become good friends. This celebration of diversity and friendship includes lush descriptions of each holiday and can serve as an entry point for any one of them. Bell’s textured illustrations are festive and youthful, picturing a diverse, child-centered world. The endpapers are particularly intriguing, with quiltlike squares picturing various cultural symbols; further information on each of the four holidays appears in the backmatter.
The dual focus on friendship and diversity makes this choice a winner. (Picture book. 4-8)Pub Date: June 30, 2020
ISBN: 978-1-4814-8563-0
Page Count: 40
Publisher: Salaam Reads/Simon & Schuster
Review Posted Online: April 11, 2020
Kirkus Reviews Issue: June 1, 2020
From curds to riches, from meltdown to uplift—this multicourse romp delivers.
A winning wheel of cheddar with braggadocio to match narrates a tale of comeuppance and redemption.
From humble beginnings among kitchen curds living “quiet lives of pasteurization,” the Big Cheese longs to be the best and builds success and renown based on proven skills and dependable results: “I stuck to the things I was good at.” When newcomer Wedge moves to the village of Curds-on-Whey, the Cheese’s star status wobbles and falls. Turns out that quiet, modest Wedge is also multitalented. At the annual Cheese-cathlon, Wedge bests six-time winner Cheese in every event, from the footrace and chess to hat making and bread buttering. A disappointed Cheese throws a full-blown tantrum before arriving at a moment of truth: Self-calming, conscious breathing permits deep relief that losing—even badly—does not result in disaster. A debrief with Wedge “that wasn’t all about me” leads to further realizations: Losing builds empathy for others; obsession with winning obscures “the joy of participating.” The chastened cheddar learns to reserve bragging for lifting up friends, because anyone can be the Big Cheese. More didactic and less pun-rich than previous entries in the Food Group series, this outing nevertheless couples a cheerful refrain with pithy life lessons that hit home. Oswald’s detailed, comical illustrations continue to provide laughs, including a spot with Cheese onstage doing a “CHED” talk.
From curds to riches, from meltdown to uplift—this multicourse romp delivers. (Picture book. 4-8)Pub Date: Nov. 7, 2023
ISBN: 9780063329508
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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