by Aesop & retold by Helen Ward & illustrated by Helen Ward ‧ RELEASE DATE: Sept. 11, 2012
A visual stunner.
In this splendid retelling of Aesop’s familiar fable, a country mouse leaves his bucolic existence to sample the glitz and glam of the city, only to discover there’s absolutely no place like home.
Country mouse “live[s] a quiet life among the seasons.” He is perfectly content until his “fine, sleek” town cousin comes to visit, criticizes the mud and dangerous wildlife (a sleeping fawn, in the illustration), and boasts about the city’s “rich, exotic foods.” Urging his cousin to see the wonders of the city for himself, town mouse departs, leaving country mouse discontent and with “a longing for new sights and sounds.” Country mouse hitches a ride to the city, where he discovers electric lights and towers of glass and stone. His cousin’s apartment is indeed luxurious and the food delicious, but country mouse soon yearns for the simple pleasures of home. The elegant, simple text contrasts the natural beauty of the countryside with the artificiality of the city. Sumptuous watercolor illustrations enhance the rural/urban juxtaposition with luminous close-ups of country mouse immersed in the seasonal flora and fauna of the English countryside and overwhelmed by the “noise and bustle and hum” of a 1930s-era city at Christmas. The richly detailed illustrations invite and reward close inspection.
A visual stunner. (Picture book. 4-7)Pub Date: Sept. 11, 2012
ISBN: 978-0-7636-6098-7
Page Count: 48
Publisher: Templar/Candlewick
Review Posted Online: July 17, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 23, 2022
Chilling in the best ways.
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When a young rabbit who’s struggling in school finds a helpful crayon, everything is suddenly perfect—until it isn’t.
Jasper is flunking everything except art and is desperate for help when he finds the crayon. “Purple. Pointy…perfect”—and alive. When Jasper watches TV instead of studying, he misspells every word on his spelling test, but the crayon seems to know the answers, and when he uses the crayon to write, he can spell them all. When he faces a math quiz after skipping his homework, the crayon aces it for him. Jasper is only a little creeped out until the crayon changes his art—the one area where Jasper excels—into something better. As guilt-ridden Jasper receives accolade after accolade for grades and work that aren’t his, the crayon becomes more and more possessive of Jasper’s attention and affection, and it is only when Jasper cannot take it anymore that he discovers just what he’s gotten himself into. Reynolds’ text might as well be a Rod Serling monologue for its perfectly paced foreboding and unsettling tension, both gentled by lightly ominous humor. Brown goes all in to match with a grayscale palette for everything but the purple crayon—a callback to black-and-white sci-fi thrillers as much as a visual cue for nascent horror readers. (This book was reviewed digitally.)
Chilling in the best ways. (Picture book. 4-7)Pub Date: Aug. 23, 2022
ISBN: 978-1-5344-6588-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
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by Greg Pizzoli ; illustrated by Greg Pizzoli ‧ RELEASE DATE: March 26, 2019
There’s nothing especially new here, but the good-natured celebration of books, reading, and libraries will charm fellow...
A porcine hoarder of books learns to read—and to share.
The Book Hog’s obsession is clear from the start. Short declarative sentences describe his enthusiasm (“The Book Hog loved books”), catalog the things he likes about the printed page, and eventually reveal his embarrassing secret (“He didn’t know how to read”). While the text is straightforward, plenty of amusing visual details will entertain young listeners. A picture of the Book Hog thumbing through a book while seated on the toilet should induce some giggles. The allusive name of a local bookshop (“Wilbur’s”) as well as the covers of a variety of familiar and much-loved books (including some of the author’s own) offer plenty to pore over. And the fact that the titles become legible only after our hero learns to read is a particularly nice touch. A combination of vignettes, single-page illustrations and double-page spreads that feature Pizzoli’s characteristic style—heavy black outlines, a limited palette of mostly salmon and mint green, and simple shapes—move the plot along briskly. Librarians will appreciate the positive portrayal of Miss Olive, an elephant who welcomes the Book Hog warmly to storytime, though it’s unlikely most will be able to match her superlative level of service.
There’s nothing especially new here, but the good-natured celebration of books, reading, and libraries will charm fellow bibliophiles, and the author’s fans will enjoy making another anthropomorphic animal friend. (Picture book. 4-7)Pub Date: March 26, 2019
ISBN: 978-1-368-03689-4
Page Count: 48
Publisher: Disney-Hyperion
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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