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THE STORKS CAME BACK

A BOY GROWS UP IN DENMARK UNDER NAZI OCCUPATION

A well-written, thoughtful portrayal of surviving hard times during World War II.

A boy and his family withstand the Nazi occupation of Denmark in this YA novel.

Morten Mors, 8, is worried in early 1940, but it’s not because of Denmark’s recent invasion by Germany. Morten’s dear, loyal Great Dane is at the end of her life and must be euthanized. Before long, though, Morten acquires a fox terrier puppy he names Snap. (Dog lovers: Snap will be fine; another dog is injured but OK.) As Morten tries to lead a normal life over the next few years—playing with his best friend, Bodil, training Snap—he discovers that members of his family are involved in the Resistance. They sometimes host fugitives; Inger, Morten’s older sister, works as a bicycle courier. Morten is made to promise he’ll serve only as a lookout, but he longs to fully contribute. In 1943, the underground network takes Bodil and her mother, who is Jewish, to safety, leaving Morten lonely. It’s a further blow when his father is rounded up with other Danish policemen and sent to a Nazi prison camp. The Mors house is commandeered by Germans, and Morten, his mother, and sister go to Jutland, near the North Sea, to live with his uncle and his wife. Meanwhile, the Resistance strengthens, and Morten discovers a way he can help that will test his courage and resourcefulness. Kamminga (The Sun Road, 2014) writes a well-observed story of a less-explored World War II experience: occupied Denmark. Unlike other, more harrowing accounts of children in hiding or in concentration camps, this tale focuses on Morten’s adaptability to changing circumstances and the Danish-ness of his life: for example, the king, on his daily ride, exchanges greetings as between equals with the postman. Kamminga makes the story’s episodes—learning about the procedures of the Resistance and sabotage, how to make arrows from elderberry whips, dog training—both interesting in themselves and contributory toward the boy’s coming-of-age. The book is also balanced; the chief bully in Morten’s life is a Jewish boy, and the Germans aren’t cartoon villains.

A well-written, thoughtful portrayal of surviving hard times during World War II.

Pub Date: Sept. 11, 2017

ISBN: 978-1-5255-1157-8

Page Count: 180

Publisher: FriesenPress

Review Posted Online: Nov. 21, 2017

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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