A memorable meditation on hunger for food and love, childhood in a totalitarian regime, and resilience.
A searing memoir about growing up behind the Iron Curtain, motherhood, addiction, and finding sustenance in the natural world.
As children, Brewer and her younger brother, Tomek, would peel sheets of skin off their fingers and palms—a sign of a vitamin deficiency—and compare who had torn off the most. They grew up in 1980s Poland, a country beset by political unrest and mired in an economic crisis. Store shelves were empty, fuel was scarce, and citizens queued for rations. Consequently, their family did what many rural Polish families have done for generations: forage for mushrooms and wild berries. “Mushroom hunting,” writes Brewer, “is a national sport in Poland.” She wonders whether her mercurial and alcoholic mother intentionally ate a poisonous mushroom to escape “a life she never wanted to live.” That suicide attempt was just one of many over the years. When things got too dicey at home, she and Tomek would walk to their grandparents’ house for food and love. “As with our beloved mushrooms,” writes the author, “my world was both toxic and lifegiving, and I learned to navigate Mother’s land mines, to receive her blows, and to recover on Grandma’s lap, regaining strength to weather the next family crisis.” Interspersed throughout the book are recipes from her childhood, including fish aspic, fermented rye soup, and bigos, a stew of sauerkraut, sausage, and, of course, mushrooms. Brewer’s psychic wounds may have not yet fully healed—“As wpadka, a birth-control accident, I will never know whether I was wanted”—but now a mother herself, she knows firsthand the demands of parenthood and how trauma passed down through generations can leave its mark. She can also recognize different sides of her mother: “her youthful enthusiasm, her love for animals, her sensitivity and creativity.”
A memorable meditation on hunger for food and love, childhood in a totalitarian regime, and resilience.Pub Date: Sept. 29, 2023
ISBN: 9780814258781
Page Count: 240
Publisher: Mad Creek/Ohio State Univ. Press
Review Posted Online: June 20, 2023
Kirkus Reviews Issue: July 15, 2023
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A wide-ranging collection of testaments to what moves the heart.
Black Americans declare their love.
This anthology brings together dozens of love letters by prominent Black Americans. The entries, interspersed with illustrations, address an eclectic mix of topics arranged under five categories: Care, Awe, Loss, Ambivalence, and Transformation. In their introduction, editors Brown and Johnson note the book’s inspiration in the witnessing of violence directed at Black America. Reckonings with outrage and grief, they explain, remain an urgent task and a precondition of creating and sustaining loving bonds. The editors seek to create “a site for our people to come together on the deepest, strongest emotion we share” and thus open “the possibility for shared deliverance” and “carve out a space for healing, together.” This aim is powerfully realized in many of the letters, which offer often poignant portrayals of where redemptive love has and might yet be found. Among the most memorable are Joy Reid’s “A Love Letter to My Hair,” a sensitive articulation of a hard-won sense of self-love; Morgan Jerkins’ “Dear Egypt,” an exploration of a lifelong passion for an ancient world; and VJ Jenkins’ “Pops and Dad,” an affirmation that it “is beautiful to be Black, to be a man, and to be gay.” Tracey Michae’l Lewis-Giggetts’ “Home: A Reckoning” is particularly thoughtful and incisive in its examination of a profound attachment, “in the best and worst ways,” to Louisville, Kentucky. Most of the pieces pair personal recollections with incisive cultural commentary. The cumulative effect of these letters is to set forth a panorama of opportunities for maintaining the ties that matter most, especially in the face of a cultural milieu that continues to produce virulent forms of love’s opposite. Other contributors include Nadia Owusu, Jamila Woods, Ben Crump, Eric Michael Dyson, Kwame Dawes, Jenna Wortham, and Imani Perry.
A wide-ranging collection of testaments to what moves the heart.Pub Date: Oct. 24, 2023
ISBN: 9781638931201
Page Count: 240
Publisher: Get Lifted Books/Zando
Review Posted Online: June 29, 2023
Kirkus Reviews Issue: Aug. 1, 2023
© Copyright 2023 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
