Tongue-in-cheek fare for post-toddler peekaboo fans.

HIDE AND SEEK CITY

EXPLORE THE CITY WITH A MAGICAL MAGNIFYING GLASS

Peering through a colored filter reveals all sorts of unconventional goings-on within seemingly ordinary homes and other buildings.

The French illustrators return to the gimmick used in their first collaboration, The Great Journey (2016), offering blocky images drawn in thick, bright red lines and patterns that vanish when viewed through a detachable circle of red acetate to reveal pale blue scenes done in a suppler style beneath. Single-line captions running underneath either suggest that there’s nothing much to see (“Everyone is calm, relaxing in their homes, or going about their business”) or, like the revelation that trucker Mrs. Khan is “carrying a package for the Banana-plane factory,” hint at droll revelations. Filtered images include several acrobats, a man shopping for a hat for his dog, a reader comfortably nestled between the humps of a camel, piles of oddly shaped packages in a post office, and (yes) workers polishing up a plane shaped like a giant banana. The journey ends at the zoo…with no animals to be seen. Where have they gone? To previous locales, which viewers are invited to reexamine more closely. Unlike the far more elaborate (and often obscure) three-colored layers in Carnovsky’s Illuminature (2016) and sequels, the underlying art here is easy to make out, and the filter is large enough to use both eyes at once. Human figures are highly stylized but still as white as the stiff paper stock.

Tongue-in-cheek fare for post-toddler peekaboo fans. (Novelty picture book. 6-8)

Pub Date: March 24, 2020

ISBN: 978-1-84976-669-2

Page Count: 32

Publisher: Tate/Abrams

Review Posted Online: Jan. 21, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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A story of friendship that is both lively and lovely

KONDO & KEZUMI VISIT GIANT ISLAND

From the Kondo & Kezumi series , Vol. 1

Two friends embark upon a high-seas adventure.

Kondo, a large lemon-colored creature with wide round eyes, spends his day on his island home with his best friend, tangerine-hued Kezumi. Together, they frolic on their idyllic isle picking berries (tall Kondo nabs the higher fruit while Kezumi helps to retrieve the lower) while surrounded by tiny “flitter-birds” and round “fluffle-bunnies.” One day, Kezumi finds a map in a bottle that declares “WE ARE NOT ALONE.” Inspired by visions of a larger world, Kondo and Kezumi fashion a boat from a bathtub and set sail. The pair visits fantastical islands—deliciously cheese-laden Dairy Isle, the fiery and fearsome Fireskull Island—until they eventually settle upon the titular Giant Island, where they meet Albert, a gigantic gray talking mountain who is—obviously—unable to leave. Enthralled by his new friends, Albert wants them to stay forever. After Albert makes a fraught decision, Kondo and Kezumi find themselves at a crossroads and must confront their new friend. Goodner and Tsurumi’s brightly illustrated chapter book should find favor with fans of Kate DiCamillo and Chris Van Dusen’s similarly designed Mercy Watson series. Short, wry, descriptive sentences make for an equally enjoyable experience whether read aloud or independently. Episodic chapters move the action along jauntily; the conclusion is somewhat abrupt, but it promises more exploration and adventures for the best friends. (This review was originally published in the June 1, 2019, issue. The book data has been updated to reflect changes in publisher and date of publication.)

A story of friendship that is both lively and lovely (Fantasy. 6-8)

Pub Date: Oct. 27, 2020

ISBN: 978-1-368-02577-5

Page Count: 80

Publisher: Little, Brown

Review Posted Online: May 8, 2019

Kirkus Reviews Issue: July 15, 2020

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Series fans won’t be disappointed, but young readers and listeners who know only the original ditty may find this a touch...

THERE WAS AN OLD MERMAID WHO SWALLOWED A SHARK!

Having eaten pretty much everything on land in 13 previous versions of the classic song, Colandro’s capaciously stomached oldster goes to sea.

Once again the original cumulative rhyme’s naturalistic aspects are dispensed with, so that not only doesn’t the old lady die, but neither do any of the creatures she consumes. Instead, the titular shark “left no mark,” a squid follows down the hatch to “float with the shark,” a fish to “dance with the squid,” an eel to “brighten the fish” (with “fluorescent light!” as a subsequent line explains), and so on—until at the end it’s revealed to be all pretending anyway on a visit to an aquarium. Likewise, though Lee outfits the bespectacled binge-eater with a finny tail and the requisite bra for most of the extended episode, she regains human feet and garb at the end. In the illustrations, the old lady and one of the two children who accompany her are pink-skinned; the other has frizzy hair and an amber complexion. A set of nature notes on the featured victims and a nautical seek-and-find that will send viewers back to the earlier pictures modestly enhance this latest iteration.

Series fans won’t be disappointed, but young readers and listeners who know only the original ditty may find this a touch bland. (Early reader. 6-8)

Pub Date: March 27, 2018

ISBN: 978-1-338-12993-9

Page Count: 64

Publisher: Scholastic

Review Posted Online: Nov. 22, 2017

Kirkus Reviews Issue: Dec. 15, 2017

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