Tongue-in-cheek fare for post-toddler peekaboo fans.
Peering through a colored filter reveals all sorts of unconventional goings-on within seemingly ordinary homes and other buildings.
The French illustrators return to the gimmick used in their first collaboration, The Great Journey (2016), offering blocky images drawn in thick, bright red lines and patterns that vanish when viewed through a detachable circle of red acetate to reveal pale blue scenes done in a suppler style beneath. Single-line captions running underneath either suggest that there’s nothing much to see (“Everyone is calm, relaxing in their homes, or going about their business”) or, like the revelation that trucker Mrs. Khan is “carrying a package for the Banana-plane factory,” hint at droll revelations. Filtered images include several acrobats, a man shopping for a hat for his dog, a reader comfortably nestled between the humps of a camel, piles of oddly shaped packages in a post office, and (yes) workers polishing up a plane shaped like a giant banana. The journey ends at the zoo…with no animals to be seen. Where have they gone? To previous locales, which viewers are invited to reexamine more closely. Unlike the far more elaborate (and often obscure) three-colored layers in Carnovsky’s Illuminature (2016) and sequels, the underlying art here is easy to make out, and the filter is large enough to use both eyes at once. Human figures are highly stylized but still as white as the stiff paper stock.
Tongue-in-cheek fare for post-toddler peekaboo fans. (Novelty picture book. 6-8)Pub Date: March 24, 2020
ISBN: 978-1-84976-669-2
Page Count: 32
Publisher: Tate/Abrams
Review Posted Online: Jan. 20, 2020
Kirkus Reviews Issue: Feb. 15, 2020
A brisk if bland offering for series fans, but cleverer metafictive romps abound.
The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.
Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.
A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)Pub Date: Aug. 3, 2021
ISBN: 978-1-7282-0935-7
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: July 26, 2021
Kirkus Reviews Issue: Aug. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Series fans won’t be disappointed, but young readers and listeners who know only the original ditty may find this a touch...
Having eaten pretty much everything on land in 13 previous versions of the classic song, Colandro’s capaciously stomached oldster goes to sea.
Once again the original cumulative rhyme’s naturalistic aspects are dispensed with, so that not only doesn’t the old lady die, but neither do any of the creatures she consumes. Instead, the titular shark “left no mark,” a squid follows down the hatch to “float with the shark,” a fish to “dance with the squid,” an eel to “brighten the fish” (with “fluorescent light!” as a subsequent line explains), and so on—until at the end it’s revealed to be all pretending anyway on a visit to an aquarium. Likewise, though Lee outfits the bespectacled binge-eater with a finny tail and the requisite bra for most of the extended episode, she regains human feet and garb at the end. In the illustrations, the old lady and one of the two children who accompany her are pink-skinned; the other has frizzy hair and an amber complexion. A set of nature notes on the featured victims and a nautical seek-and-find that will send viewers back to the earlier pictures modestly enhance this latest iteration.
Series fans won’t be disappointed, but young readers and listeners who know only the original ditty may find this a touch bland. (Early reader. 6-8)Pub Date: March 27, 2018
ISBN: 978-1-338-12993-9
Page Count: 64
Publisher: Scholastic
Review Posted Online: Nov. 21, 2017
Kirkus Reviews Issue: Dec. 15, 2017
BOOK REVIEW
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