Although Yusuf's short stories offer various insights into Somalia, the reader is left wanting for greater nuance in order...

READ REVIEW

THE LION'S BINDING OATH AND OTHER STORIES

Yusuf (Somalis in Minnesota, 2013), who grew up as a nomad in Somalia and arrived in the U.S. without a high school diploma, uses Somalia's geographical landscape and culture to create an intricate braid of short stories about family, identity, escape, destruction, and return.

In “The Mayxaano Chronicles,” a young woman struggles to find her place in a society that sees no value in her existence despite the skills, intelligence, and activism she demonstrates. “The Vulture Has Landed” offers a harrowing narrative of a young married woman who, while raising her younger sister, also prepares her for the inevitable visit of soldiers bent on revenge. The dream of a new start for himself and his family is what keeps Aar, in “A Delicate Hope,” from despairing over the disarray of life in Mogadishu. “The Lion’s Binding Oath” presents a fantastical relationship between a boy and a lion. Hassan, a high school student separated from his family whilst they flee their home during the civil war, finds himself accompanied by a lion. Despite some interesting situations, excessive dialogue often bogs down the storylines. At times, the lead protagonists are scuppered by other characters and fail to fully inhabit their space.

Although Yusuf's short stories offer various insights into Somalia, the reader is left wanting for greater nuance in order to come away with a more focused view of the country and its people. (Short stories. 16-adult)

Pub Date: June 5, 2018

ISBN: 978-1-946395-07-8

Page Count: 220

Publisher: Catalyst Press

Review Posted Online: March 20, 2018

Kirkus Reviews Issue: April 1, 2018

Did you like this book?

No Comments Yet

A clever, feel-good opening to a fantasy series with a tenacious heroine.

Girls Can't Be Knights

From the Spirit Knights series , Vol. 1

The start of a new YA series features a teen orphan and a protective brotherhood of Spirit Knights.

Fifteen-year-old Claire Terdan lives in a group foster home in Portland, Oregon. Six years ago, her family died in a house fire, and her only dependable friend since has been a boy her age named Drew. One day in school, after she punches a bully who mocks her, the principal suspends her for a day. She sneaks out of school and into town only to be accosted by several cats and dogs. Meanwhile, at the nearby Oregon Historical Society, a man named Justin arrives on his white horse, Tariel. He’s there, dressed in his green Spirit Knight armor, to borrow (some might say steal) an antique hat that has sentimental meaning to his mentor, Kurt. When he meets Claire, he offers her a ride home. Telling Justin she doesn’t have one, Claire ends up with him in Vancouver, Washington, at his family’s farm. There she meets his wife and two young daughters and eventually learns about the Palace, a magical, dormitory-style structure where Spirit Knights—a brotherhood that protects the world from ghostly, vengeful Phasms—dwell. Justin isn’t sure why Claire seems familiar until he learns that she’s the daughter of a dead Knight named Mark. French (Superheroes in Denim, 2016, etc.) establishes a crafty new fantasy series with a light smattering of genre fixtures, including talking animals, an enchanted pendant, and the firmly held belief that “Girls can’t be Knights.” Most of the narrative drama comes from grounded conflicts that teens should relate to, like Claire’s attraction to the older Justin and the lousy conditions of the “sanitized prison” that is her group home. Later scenes in which a detective named Avery physically assaults Claire are not for the faint-hearted. The upside for the tale’s heroine is that Justin and his family turn out to be perfect for her; despite early misgivings about them, she decides to “admire the example they set and be grateful for it.” The story should provide a heartwarming boost to anyone in a tough situation.

A clever, feel-good opening to a fantasy series with a tenacious heroine.

Pub Date: June 3, 2015

ISBN: 978-1-68063-030-5

Page Count: 246

Publisher: Myrddin Publishing Group

Review Posted Online: July 27, 2016

Kirkus Reviews Issue: Sept. 15, 2016

Did you like this book?

No Comments Yet

A magnetic coming-of-age novel.

Our Verdict

  • Our Verdict
  • GET IT

Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating
  • Kirkus Reviews'
    Best Books Of 2018

SOME PLACE BETTER THAN HERE

A debut novel of young love, ’90s-style grunge, and teenage angst. 

When Danny first sees Mary, she’s running away from her ex-boyfriend Tanner into the back room of the New Jersey grocery store where she works—screaming at the top of her lungs, imploring him to leave her alone. Mary’s loud outburst sets the tone for the rest of the novel, which follows the two teenagers’ eclectic, unusual relationship. The book is structured in acts, letting the momentum build, as it would in a play, until the final section. More specifically, the book is structured using alternating perspectives; as it oscillates between Danny’s and Mary’s points of view, it offers a complete, authentic, and objective narration. Danny is a fairly typical 17-year-old high schooler who loves music (though only music with lyrics, preferably from decades that preceded his birth), smells good, is a talented guitarist, and works at a car wash across the street from the grocery store where Mary works. When he meets her, he’s awestruck but a bit wary: “When my too dry lips peeled apart, I realized I had become that guy. Totally forgetting that this amazingly hot girl was just involved in a shouting match about ten seconds prior to my being captivated by her hotness.” Still, Danny musters the courage to ask her out—but it takes a little while. Mary, on the other hand, doesn’t come off as the most approachable girl for a boy like Danny. She’s an irritable 17-year-old who goes out to bars with her girlfriends, surrounds herself with people who call Danny a “faggot,” and struggles with a physically and verbally abusive father. The duo is an unlikely match—another case of opposites attracting.   Debut author Wakil fills the text with moments of pure teenage bliss in which readers will recognize their younger selves experiencing the excitement of love for the very first time. Similar to works like Stephen Chbosky’s 1999 debut novel, The Perks of Being a Wallflower, this book is a testament to the power of conviction, the results of perseverance, and a case study of small-town millennials from varying economic backgrounds. The author has a punchy, irreverent writing style: “So, as we drove through the swampy and winding road, where the crickets were louder than the music Danny played, my head fell back between the headrest and the door, and I let the wind blow back my hair.” With it, he effectively creates a narrative environment in which anything can happen, from stealing a boss’s Porsche to chasing down bullies on the freeway to helping friends cope with debilitating bouts of depression to navigating the changing functions of parent-child relationships. Danny and Mary are captivating, frustrating, and completely imperfect characters that are very much evocative of the current sociocultural climate. They also seem like products of the 1990s, and they drive into adulthood with familiar teenage uncertainties and doubts. Readers will willingly surrender themselves to this book and gain much from it.

A magnetic coming-of-age novel.

Pub Date: Oct. 25, 2017

ISBN: 978-1-5255-0609-3

Page Count: 432

Publisher: FriesenPress

Review Posted Online: Jan. 17, 2018

Kirkus Reviews Issue: March 1, 2018

Did you like this book?

No Comments Yet
more