A faith-infused, uneven memoir about navigating a turbulent life.
A woman recounts her traumatic experiences, her redemptive love, and her abiding faith in God.
Nikolov’s debut memoir of her darkly traumatic past begins with her meeting a possible “Mr. Right,” an event she hoped might improve her life’s trajectory. The author, a Cuban-American with strong ties to the Dominican Republic, was on vacation there at Punta Cana with her free-spirited younger sister, Nicole, as the memoir opens. Nicole was eager to meet eligible guys, but Nikolov only wanted to relax and forget about men entirely—until she met “Dr. Boris,” a doctor from Bulgaria, whose gentle nature and dignified, respectful demeanor toward her won her heart and gained her trust. She found herself falling in love with “Bobby,” and this flows freely into the broadening of her memoir to tell her history of stark, almost unrelieved darkness. As a young girl, she was repeatedly sexually abused by the men in her mother’s life. When her older sister, Michelle, decided to intervene and call the police, the family was broken up, and Nikolov had all of this to confess to “Bobby” in order to be as honest as possible as their relationship deepened. He was unfazed, and the two got married—but the author’s troubles didn’t stop there. The narrative moves through more recounting of domestic stress, including Nikolov’s enjoying crack, which she describes as a “manic speed train out of myself.” Through it all, the author is often restored by her personal religious belief, although some of her faith observations seem a bit facile, shoehorned into the story of a complicated and morally challenging life. That life story is the most effectively done element of the book: Nikolov has a good ear for capturing the interpersonal dynamics of families under all kinds of stress. And the story swings back to an uplifting arc that will work on readers who’ve themselves seen some dark days and wondered if the future could be a little brighter.
A faith-infused, uneven memoir about navigating a turbulent life.Pub Date: Aug. 7, 2018
ISBN: 978-0-692-15958-3
Page Count: 154
Publisher: Inspirational Books Publishing
Review Posted Online: Aug. 15, 2018
Review Program: Kirkus Indie
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
